Results 31 to 40 of about 288 (100)
Histories of Untranslatability in South Asia: Historiography, Debates, and Problems, 1980–2010
ABSTRACT Untranslatability is not a separate field of study in history; rather, it is a conceptual lens that captures the concerns of certain strands of scholarship which have tended to somewhat problematize connections, translations, and mediation across imperial and colonial divides.
Vipin Krishna
wiley +1 more source
Una nuova regione del mondo. L’utopia mondialista di Édouard Glissant
L'articolo si focalizza sullo studio delle pratiche discorsive attraverso cui Édouard Glissant struttura la propria utopia del chaos-monde nei due saggi La Cohée du Lamentin (2005) e Une nouvelle région du monde (2006), e nel romanzo Sartorius (1999 ...
Mattia Bonasia
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Chambacú: entre atavismos y rizomas. Rastros de identidad en el corral de negros
Resumen Conceptos como los del melting pot, crisol, sincretismo, pluralidad, caos, y en los últimos años, la “poética de la relación”, de Edouard Glissant, han sido utilizados para explicar y definir la constitución cultural y la identidad del ser Caribe.
Marcela Lora Díaz
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ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS
ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
wiley +1 more source
Places as refrains: A non‐constructive alternative to assemblage thinking
Abstract Over the past 20 to 30 years, relational, post‐humanist, processual, and non‐representational approaches to space and place have gained an increasing purchase within anglophone human geography, whether underpinned by academic engagements with Western philosophy, anthropology, or indigenous thinking and praxis.
Peter Merriman
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A ALTERIDADE E A DIVERSIDADE NA RELEITURA HISTÓRICA DO TEATRO DA MARTINICA
As obras dos martinicanos Aimé Césaire e Edouard Glissant são revistas pelos escritores da geração posterior das Antilhas Francesas, pela importância que têm na discussão da produção literária e cultural naquela região. Fazendo da referência às primeiras
Geraldo Ramos Pontes Junior
doaj
El cómic Cumbe (2014) de Marcelo D'Salete narra historias de la plantación de azúcar mediante una narrativa visual “ambigua”, en términos del filósofo Édouard Glissant. Una narrativa que oculta, más de lo que presenta, y que de este modo relata historias
Nohora Arrieta Fernández
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On limit and love in times of environmental crises
Short Abstract This intervention explores whether ‘love’ offers a politically viable concept in times of environmental crises. Urban political ecology highlights that, in a capitalist society, landed property and material affordances are rigged against the have‐nots; the latter are deprived not only of their aspirations, but also of their basic right ...
Ihnji Jon
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Beyond therapeutics: Psychosis and poetics
Abstract In this article, I examine how poetry serves as a form of semiotic rearrangement for those undergoing episodes of what psychiatry calls psychosis. Drawing from ethnographic fieldwork in Chennai, Tamil Nadu, I explore how poetry's capacity to hold intemporal experiences facilitates an ambiguous economics of meaning that serves as a semiotic ...
Anjana Bala
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Édouard Glissant and the importance of reading well: Opacitic‐reading as geographic method
Short Abstract If — as Paul Gilroy writes, ‘Glissant's time is now’, how do we as geographers respond? Beginning with Glissant's concept of opacity, and developing this through non‐representational theory, I argue that our reading practices can aspire to create moments of clarity and connection through complexity, rather than seeking transparent ...
Tara Elisabeth Jeyasingh
wiley +1 more source

