Results 1 to 10 of about 208 (81)
Between, 2022 Recensione dell'edizione italiana del libro Émile Zola, J’Accuse…! a cura di Pierluigi Pellini.
Tiziano Toracca
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L’apocalypse de la vitesse : Marinetti lecteur de Zola
Relief: Revue Électronique de Littérature Francaise, 2018 F.T. Marinetti (1876-1944) a embrigadé Émile Zola (1840-1902) comme précurseur du futurisme italien, parce qu’il a introduit dans le roman naturaliste la fascination pour les machines, et pour le train en particulier.
Lionel Cuillé
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Deep distant reading: The rise of realism in Scandinavian literature as a case study
Orbis Litterarum, Volume 78, Issue 5, Page 335-352, October 2023., 2023 Abstract In this article we make a case for a synchronic and contextualizing perspective on the scaling of literary data, one which qualifies and expands the data points in terms of depth, or thickness, through the help of metadata on the social and historical conditions of the texts. Our case study is an investigation of the rise and impact of realism
Jens Bjerring‐Hansen, Matthew Wilkens
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The Journal of Popular Culture, Volume 56, Issue 2, Page 356-373, April 2023., 2023 Abstract “Human or Puppet?” A once popular, now forgotten performance routine explored this question on the popular stage. Concentrating on rare historical materials, this paper uncovers how “Human or Puppet?” performances looked like and how they built on and added to the early twentieth‐century cultural discourse, and trope, of the human machine ...
Anna‐Sophie Jürgens
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Am I my Brother's keeper? Émile Zola’s Thérèse Raquin as a retelling of Cain and Abel
Relief: Revue Électronique de Littérature Francaise, 2017 Émile Zola’s Thérèse Raquin exemplifies what the author would develop as his naturalist philosophy. This philosophy, based upon what the Zola considered to be a scientific and empirical process to understand the human condition, appears at a time in ...
William Bradley Holley
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Hans‐Jörg Rheinberger as a Philosopher of Time**
Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 3, Page 434-451, September 2022., 2022 Abstract When Hans‐Jörg Rheinberger proposed the concept of epistemic things, he drew inspiration from the art historian George Kubler, who had considered the aesthetic object as resulting from problem‐solving processes in The Shape of Time (1962). Kubler also demonstrated that a sequence of objects could retrace the progress that led to a solution ...
Michael F. Zimmermann
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Les collections pédagogiques du lycée Émile-Zola à Rennes (Ille-et-Vilaine)
In Situ, 2021 In 2019, with the operation of Brittany’s high schools inventory, a section sought to measure the extent of educational collections, to study them, to build promotion tools and to raise awareness.
Justine Malpeli
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Karl Lueger and the Reichspost: Construction of a Cult of Personality
Australian Journal of Politics &History, Volume 68, Issue 3, Page 337-358, September 2022., 2022 This article contributes to the body of research on fin‐de‐siècle Viennese and Austrian history, as well as the history of ideas and press history. It expands on the scholarship by focusing on one newspaper — the Catholic‐conservative Reichspost (affiliated with the Christian Social Party) — to analyse how it perpetuated the cult of personality ...
Chris O'Neill
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Every Sherlock needs a Dr. Watson: A theory of creativity catalysts in organizations
Journal of Organizational Behavior, Volume 43, Issue 5, Page 840-857, June 2022., 2022 Summary This research investigates when certain coworkers can serve as “catalysts” to enhance the creative performance of others. We draw on social capital theory and the ability‐motivation framework to focus on the characteristics of potential catalysts and the facets of relationships between catalysts and creators.
Gamze Koseoglu +2 more
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How to Teach Manet's Olympia after Transgender Studies
Art History, Volume 45, Issue 2, Page 342-369, April 2022., 2022 Addressed to art historians as both teachers and researchers, this essay reconsiders the well‐trodden case of Édouard Manet's Olympia (1863) to challenge the conventional assumptions about the nude as a sign for gender. Aligning itself with the interdisciplinary field of transgender studies, the essay models one version of how art historians might ...
David J. Getsy
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