Results 71 to 80 of about 1,664 (102)

Historical note: A Brief Overview of the History of FEB

Tržište, 2020
Željko Sirk
doaj   +1 more source

ÇAGIMIZDAKİ İTİKADİ SAPMALAR VE KELAMİ ÇÖZÜMLER

Fırat Üniversitesi İlahiyat Fakültesi Dergisi, 1999
İnsanlar, Allah tarafindan gönderilen Peygamberler ile onlara vahyedilen ilahi kitapların emir ve yasaklarına karşı olumlu ya da olumsuz tepkiler göstermişlerdir.
Fikret Karaman
doaj  

Hz. Muhammed’in Öfke Kontrolü (Hz. Ömer’le Diyalogları Bağlamında) / Prophet Muhammad’s Anger Management (Regarding the Dialogues with Hz. Omar)

Mukaddime, 2015
Hz. Muhammed, inancı ve geleneği başta olmak üzere içinde bulunduğu toplumun cehalet kültürü ile top yekûn bir mücadeleye girişti. Karakter, inanç, gelenek, kültür açısından oldukça tavizsiz olan bir topluma karşı Kur‘anî ifade ile “kendini helâk ...
Abdurrahman Demirci
doaj  

Türk Gösterim Sanatlarında Sirk

, 2016
Mustafa Sekmen, Pınar Ateş
semanticscholar   +1 more source

Genome-Editing Technologies: Principles and Applications.

Cold Spring Harbor Perspectives in Biology, 2016
T. Gaj, S. Sirk, Sailan Shui, Jia Liu
semanticscholar   +1 more source

Fantastično in fantastična literatura

Slavistična Revija, 1988
Stanislava Sirk
doaj  

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Douglas Sirk und das ironisierte Melodram

, 2022
1937 floh der deutsche Regisseur Douglas Sirk in die USA. Die Melodramen, die er im Hollywood der 1950er Jahre drehte, prägten das Genre nachhaltig.
Thomas Brandlmeier
semanticscholar   +1 more source

“Black Wimmin Who Pass, Pass into Damnation”: Race, Gender, and the Passing Tradition in Fannie Hurst’s Imitation of Life and Douglas Sirk’s Film Adaptation

Journal of narrative theory, 2019
Fannie Hurst’s 1933 novel Imitation of Life is ostensibly the story of Bea Pullman, an entrepreneurial, white, single mother who establishes a successful waffle-house restaurant chain with the help of her black maid and friend, Delilah.
Lauren Kuryloski
semanticscholar   +1 more source

Love and Class in Douglas Sirk’s All That Heaven Allows

Critical Inquiry, 2019
1 One sure sign, among many others, that the great melodramas of Douglas Sirk’s time at Universal Studios (1952–1959) might not be all they initially seem is the immediate ambiguity of the titles of many of the most ambitious ones.
R. Pippin
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Performing Madness in Douglas Sirk’s Written on the Wind

Lit: Literature Interpretation Theory, 2019
In the 1956 melodrama Written on the Wind, director Douglas Sirk introduces the spectator to a Texan oil family, the Hadleys, matched in their wealth only by their dysfunction.
C. Wilson
semanticscholar   +1 more source