SERIES IN SEARCH OF INTERACTIVITY / ИНТЕРАКТИВНЫЕ СЕРИАЛЫ: В ПОИСКАХ ОБРАТНОЙ СВЯЗИ [PDF]
Наука телевидения, 2020 The article analyzes such a phenomenon of screen culture as interactivity; it considers the historical prerequisites for the emergence of interactive works of art, their evolvement in literature, contemporary art (performance, action, happening), cinema,
SMOLEV DANIIL D. / СМОЛЕВ Д.Д.
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THE AUTHENTICITY OF THE PHANTOM. ON NEW SIMULATION METHODS OF THE ALTERNATIVE PAST IN SCREEN CULTURE (based on the series Chernobyl) /ДОСТОВЕРНОСТЬ ФАНТОМА. О НОВЫХ МЕТОДАХ МОДЕЛИРОВАНИЯ АЛЬТЕРНАТИВНОГО ПРОШЛОГО В ЭКРАННОЙ КУЛЬТУРЕ (на примере сериала «Чернобыль») [PDF]
Наука телевидения, 2020 The article analyzes the phenomenon of increased interest among the modern mass recipients in cultural artifacts that simulate various models of the phantom past, and in new ways of constructing it.
POZHAROV ALEKSEY I. / ПОЖАРОВ А.И.
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Мем-летописец: репрезентация новостной повестки дня пандемии в меметическом контенте Рунета
Мониторинг общественного мнения: экономические и социальные перемены, 2021 Интернет-мемы относятся к тем цифровым феноменам XXI века, которые, несмотря на уже достаточную изученность в гуманитарной науке, не устают удивлять исследователей своими растущими функциональными возможностями и новыми жанровыми формами.
Светлана Андреевна Шомова
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DEITIES AND DEMONS ON THE STREETS OF SEOUL: CONSTRUCTING SPACE IN THE SOUTH KOREAN FANTASY GENRE TV SERIES / БОЖЕСТВА И ДЕМОНЫ НА УЛИЦАХ СЕУЛА: КОНСТРУИРОВАНИЕ ПРОСТРАНСТВА В ЮЖНОКОРЕЙСКОМ ТЕЛЕСЕРИАЛЕ ЖАНРА «ФЭНТЕЗИ» [PDF]
Наука телевидения, 2020 This article attempts to identify the signs by which the fantasy genre is recognized. Whether in verbal texts or cinema, such generic signs, like signs of “the fantastic” in general, are difficult to be determined precisely.
TARASOVA ALEKSANDRA V. / ТАРАСОВА А.В.
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Индустрии впечатлений: Технологии социокультурных исследований, 2023 The article is devoted to the consideration of the image of a vampire in modern popular culture in the context of chronopolitics, which constructs Soviet nostalgia.
Denis Artamonov / Денис Сергеевич Артамонов +1 more
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Наука телевидения, 2021 The article focuses on the image of an antihero in South Korean television series: its typical features, its functions, and interaction with the audience.
Tarasova Aleksandra V. / Тарасова А.В.
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TRANSFORMATION OF СLASSIC DRAMA MOTIFS IN GAME OF THRONES SERIES / ТРАНСФОРМАЦИЯ МОТИВОВ КЛАССИЧЕСКОЙ ДРАМАТУРГИИ В СЕРИАЛЕ «ИГРА ПРЕСТОЛОВ» [PDF]
Наука телевидения, 2019 Game of Thrones series that has become one of the most widely discussed TV shows of our time, is analyzed from the perspective of art history and cultural studies.
SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.
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„BABYLON–BERLIN“: SERIEN – FILMESCHAUEN – EIGENES LEBEN / «ВАВИЛОН–БЕРЛИН»: СЕРИАЛЫ — ПРОСМОТР ФИЛЬМОВ — ЧАСТНАЯ ЖИЗНЬ [PDF]
Наука телевидения, 2019 The article deals with current changes and tendencies in the field of film viewing modes, and especially with the importance of film and film series viewing in everyday life.
ELKA TSCHERNOKOSHEWA / ЧЕРНОКОЖЕВА Е.
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Наука телевидения, 2022 In this article, I analyze Chinese TV series as a phenomenon of mass culture; a market product created on the basis of a specific national cultural code under conditions of strict ideological control.
NESTEROVA ELENA I. / НЕСТЕРОВА Е.И.
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THE PERIPHERY OF THE SPECTACLE: THE SPOILER AND THE TEASER / ПЕРИФЕРИЯ ЗРЕЛИЩА: СПОЙЛЕР И ТИЗЕР [PDF]
Наука телевидения, 2019 The peripheries of the spectacle, the text, and the peritext (covers, posters of films, teasers, trailers, announcements and other signs of finishing work) is fully involved in the preparation of the recipient, in the development of the mood which ...
KOZLOV EVGENY V. / КОЗЛОВ Е.В.
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