Results 1 to 10 of about 31 (31)
Страницы истории тувинского этномузыкознания
В статье рассматривается процесс становления и развития этномузыкознания в Туве. Имеющиеся данные дополняются новыми материалами о ранее неизвестных работах (М. Серин-оола, В. Сапельцева) и работах последних лет. Впервые представлены архивные материалы -
Карелина, Екатерина Константиновна
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В статье анализируются тувинские народные и первые авторские песни периода Тувинской Народной Республики с точки зрения внедрения европейской мажоро-минорной системы в традиционный музыкальный язык тувинцев, который относится к ангемитонно ...
Аясмаа Данзы-Белековна Баранмаа
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Ethnic culture in the global orbit: the phenomenon of spatial development of Tuvan folk music
Making use of Tuvan folk music as a case study, the article discusses the features of spatial distribution of ethnic culture in the modern world up to the global level.
Olga V. Dolzhenkova
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Psychological features of the professional activities of Tuvan musicians
Article presents the study of psychological peculiarities of professional activities of Tuvan musicians. It reviews the effect of psychological characteristics on growth of value aspects of professionalism.
Anna D.-B. Sandyi
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Famous Tuvan throat singers of the twentieth century continue to receive attention by today’s singers. After considering the sources from the Soviet era that are currently (un)available as recordings, the author analyses a single song with sygyt throat ...
Mark Van Tongeren
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Personal collection of Saaya Byurbe at the National Archives of the Republic of Tuva
The article examines documents from the personal fond of composer Saaya Manmyrovich Byurbe (1924–2012). Saaya Byurbe is a bright figure of the first generation of the Tuvan composers. His biography covers the most important stages in the history of Tuvan
Ekaterina K. Karelina, Ulyana O. Mongush
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Tuvan throat singing as intangible cultural heritage and as Tuva’s cultural brand
The article deals with the issues of preserving the unique Tuvan throat singing tradition, Khѳѳmei, which is seen as part of Tuva’s intangible cultural heritage.
Chimiza K. Lamazhaa +1 more
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Tuvan music in schools in the United States
The essay sums up the author’s reflections in the field of musical anthropology, with the focus on how ethnic music is understood by listeners with a different cultural background. The author was born and grew up in the USA. He graduated from Macalester
Sean P. Quirk
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The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special ...
Leo Tadagawa
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В основе статьи лежит хронологический обзор работы автора (продюсера, этномузыковеда) с музыкантами из Тувы в 1990-е годы. Он организовывал концерты через Paradox Concerts с 1978 по 2003 гг.
Бернард Клейкамп
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