Results 11 to 20 of about 254 (136)

Motives of Home and Homelessness in the Novel by F.M. Dostoevsky “The Brothers Karamazov”

open access: yesPolylinguality and Transcultural Practices, 2020
The article is devoted to the study of the complex motive home-antidome in the work of F. Dostoevsky The Brothers Karamazov. Studying the motive as a key unit of narratology, the author comes to the conclusion that in Dostoevskys poetry a special role is
Meruert B. Yeleussizova
doaj   +1 more source

The First Production of The Brothers Karamazov on the Russian stage in the Mirror of the Press (Based on the Collections of the Vladimir Dahl State Museum of the History of Russian Literature) [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2020
The first Russian theatrical production of Dostoevsky's novel The Brothers Karamazov premiered on the eve of Dostoevsky’s 20th death anniversary on January 26 (February 7) 1901 at the Theater of the Literary and Artistic Society (Maly Theater) in St ...
Pavel E. Fokin, Ilya O. Boretsky
doaj   +1 more source

Mental health, resilience and existential literature

open access: yesJournal of Philosophy of Education, Volume 56, Issue 1, Page 78-87, February 2022., 2022
Abstract In this paper, I will begin by charting some of the conceptions of mental health in young people today, paying particular attention to recent mental health education policies in England. I will focus on the concept of ‘resilience’ as central to these policies, and how this represents an impoverished understanding of mental health, what it ...
Alison M. Brady
wiley   +1 more source

Le citazioni di Dostoevskij negli studi danteschi del simbolismo russo: il caso di Dmitrij Merežkovskij [PDF]

open access: yesParole Rubate, 2023
In the Russian literary and philosophical milieu of the Early Twentieth Century, interest in the works of Dante and Dostoevsky acquires a new metaphysical dimension compared to their nineteenth-century reception.
Kristina Landa
doaj  

The Enduring Pertinence of the Basic Principle of Retribution☆

open access: yesRatio Juris, Volume 34, Issue 4, Page 293-314, December 2021., 2021
Abstract Many philosophers and legal scholars believe that the principle of retribution can be employed as a basis for respecting the offender as a person and for imposing relatively soft sentences. This belief is inspired, at least to a certain extent, by the penal philosophy of Kant and Hegel.
Vincent Geeraets
wiley   +1 more source

Epic Reversal of the Plot of Guilt from Prokharchin’s Dream to Dmitry Karamazov’s Dream

open access: yesНаучный диалог, 2020
The article examines the plot of guilt in refraction to the event of a dream from the early story of Fedor Dostoevsky “Mister Prokharchin” to “Brothers Karamazov”.
N. G. Mikhnovets
doaj   +1 more source

The Legend of the Great Inquisitor as the Anti-Utopian pioneering work and the novel "We"

open access: yesمجلة الآداب, 2019
In the research given to the example of the great Inquisitor's legend, the latest novel by the Great Russian writer Fyodor Mikhailovich Dostoevsky, "The Brothers Karamazov" confirms the idea of ​​man's loss of utopian ideas in its own right, and the ...
MOHAMMED FRAYYEH KOBAISH
doaj   +1 more source

Teaching & Learning Guide for: Theistic Arguments from Horrendous Evils

open access: yes, 2023
Philosophy Compass, Volume 18, Issue 5, May 2023.
Daryl Ooi
wiley   +1 more source

Il caso dello sceneggiato televisivo "I fratelli Karamazov": il "cristianesimo sofferto" di Diego Fabbri nella Rai pedagogica dell'era bernabeiana

open access: yesSchermi, 2018
Il contributo si propone di indagare il profondo legame di Diego Fabbri con l’opera di Dostoevskij che influenza la saggistica, la drammaturgia e l’impegno istituzionale dello sceneggiatore forlivese presso il Centro Cattolico Cinematografico (CCC).
Eleonora Recalcati
doaj   +1 more source

Dostoevsky overcomes Nihilism: Luigi Pareyson reads The Brothers Karamazov

open access: yesWrocławski Przegląd Teologiczny, 2021
“Dostoevsky’s novels are pure philosophy,” declared Luigi Pareyson (1918–1991), an Italian existentialist. He presents a Christian Dostoevsky capable of overcoming the nihilistic onslaught of a post-Christian culture, both in its harshest and “weaker ...
Pablo Blanco-Sarto
doaj   +1 more source

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