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2021
This chapter evaluates the feature film industry in the 1950s. It begins by focusing on production context and women's union representation as shop stewards — within the broader social context of debates about women and work. The chapter provides an overview of women in the British film industry through union membership application data.
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This chapter evaluates the feature film industry in the 1950s. It begins by focusing on production context and women's union representation as shop stewards — within the broader social context of debates about women and work. The chapter provides an overview of women in the British film industry through union membership application data.
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2018
This volume serves as an invaluable guide to key political, social, and cultural concepts of the 1950s. This volume covers the entire decade of the 1950s, from the uneasy peace following World War II to the beginnings of cultural discontent that would explode in the 1960s.
James S. Olson, Mariah Gumpert
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This volume serves as an invaluable guide to key political, social, and cultural concepts of the 1950s. This volume covers the entire decade of the 1950s, from the uneasy peace following World War II to the beginnings of cultural discontent that would explode in the 1960s.
James S. Olson, Mariah Gumpert
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Hilda Neatby’s 1950s and My 1950s
Journal of Canadian Studies, 2006Hilda Neatby (1904-76), long-time professor of history at the University of Saskatchewan, came into her own during the 1950s. A member of the Massey Commission, which reported in 1951, and author of So Little for the Mind (1953), a critique of progressive education, she acquired a high profile based on both of these endeavours. This essay argues that,
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2022
Abstract The chapter examines the early unofficial Soviet art and literary groups of the 1950s and early 1960s. After the Stalinist terror, a period in which attempts at collective alternative art-making had been fatally dangerous, and straying from socialist realism had been the bailiwick of lone individuals, a search for collective ...
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Abstract The chapter examines the early unofficial Soviet art and literary groups of the 1950s and early 1960s. After the Stalinist terror, a period in which attempts at collective alternative art-making had been fatally dangerous, and straying from socialist realism had been the bailiwick of lone individuals, a search for collective ...
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Journal of the American Medical Association, 1950
Where does psychiatry stand today? Its position cannot be stated with any exactitude. As a matter of fact, no one can foretell its future further than to say that it will be permanently a part of medicine. Only in regard to the roads leading to the present can one be specific.
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Where does psychiatry stand today? Its position cannot be stated with any exactitude. As a matter of fact, no one can foretell its future further than to say that it will be permanently a part of medicine. Only in regard to the roads leading to the present can one be specific.
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Other musical influences were at work in the city in the 1950s: modern jazz, R&B, and rock and roll. White audiences were more open to the integrative forces of music, and the aircraft industry gave workers a fair salary, while taverns and clubs gave a chance to spend it on live music and libation.
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This chapter examines Kerouac in the context of 1950s literary culture in the United States, with particular emphasis on the Cold War. The 1950s was the decade Kerouac became famous overnight with the publication of On the Road, and the decade he produced the bulk of his most significant writing, including Visions of Cody, Doctor Sax, The Subterraneans,
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2023
Abstract This chapter considers the influence of Tallulah Bankhead’s A Streetcar Named Desire in 1956. It describes how the play had been potently homosocial and that everyone who attended the performance and the surrounding staff was struck gay and never returned.
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Abstract This chapter considers the influence of Tallulah Bankhead’s A Streetcar Named Desire in 1956. It describes how the play had been potently homosocial and that everyone who attended the performance and the surrounding staff was struck gay and never returned.
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