Results 61 to 70 of about 82 (79)
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Kierkegaard lesen, gegen und mit Adorno – Von der objektlosen Innerlichkeit zur Selbstbesinnung durch das Andere / From Objectless Inwardness to Self-reflection through the Other

Danish Yearbook of Philosophy, 2020
Abstract Søren Aabye Kierkegaard’s thought has often been regarded as a philosophy of inwardness, especially within the German-speaking world. Theodor W. Adorno takes an ambivalent attitude toward this view: He criticizes Kierkegaard’s conception of subjectivity as ‘objectless inwardness’, while pointing to its potential for self-reflection that ...
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Moods as multiple-object directed and as objectless affective states: An examination of the dispositional theory of moods

Cognition and Emotion, 2005
The studies reported here test one theory that seeks to explain the difference between moods and emotions: The dispositional theory of moods. This theory assumes that moods consist, at least in essential part, of temporary dispositions to have particular kinds of emotion-relevant appraisals (i.e., appraisal-dispositions).
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Separating the edge-based detection of object motion from the detection of objectless motion energy: implications for visually guided locomotion

SPIE Proceedings, 2005
Evidence is provided for independent motion pathways that can serve to discriminate the motion of objects from the optic flow produced by the perceiver's egomotion, the latter based on detecting motion energy. Motion energy models are founded on the idea that low-level motion perception entails the detection of spatiotemporal changes in raw luminance ...
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Später: Objectless Eschatology and Radical Hope in the Poetry of Paul Celan

German Studies Review
abstract: In this article, I examine Paul Celan's career-long preoccupation with the notion of a new beginning and the eschatological possibility of bringing about a hoped-for better future through the artistic act. Drawing on three major reference points in Celan's conceptualization of this struggle—Heideggerian eschatological thought, Jewish ...
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Objectless Emotions

Philosophy and Phenomenological Research, 1987
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Objectless in Vitebsk: Reflexions on Malevich, Architecture and Representation

2012
The advent of suprematism in 1915 was staged by Malevich in two ways: as an ensemble of paintings displayed together and carefully documented in a well-known photograph, and in a lengthy treatise called “From Cubism to Suprematism. The New Painterly Realism,” sold within the premises of the group show The Last Futurist Exhibition of Paintings 0,10 ...
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