Results 61 to 70 of about 368 (103)

Absolute Pitch in Naturalistic Singing: A Commentary on Olthof et al. (2015)

open access: yesEmpirical Musicology Review, 2015
The parent article looks at pitch stability in an archive of folksongs recorded over several decades. Some evidence for pitch stability was found. Here, I consider some additional aspects of the archive that could be examined, offer some extensions to ...
Andrea Halpern
doaj   +1 more source

In “Tone” with dogs: exploring canine musicality

open access: yesAnimal Cognition
This study investigates the musical perception skills of dogs through playback experiments. Dogs were trained to distinguish between two different target locations based on a sequence of four ascending or descending notes. A total of 16 dogs of different
Claudia Pinelli   +4 more
doaj   +1 more source

Auditory category knowledge in experts and novices

open access: yesFrontiers in Neuroscience, 2014
What do listeners know about sounds that have a systematic organization? Research suggests that listeners store absolute pitch information as part of their representations for specific auditory experiences.
Shannon eHeald   +2 more
doaj   +1 more source

Moderating variables of music training-induced neuroplasticity: a review and discussion

open access: yesFrontiers in Psychology, 2013
A large body of literature now exists to substantiate the long-held idea that musicians' brains differ structurally and functionally from nonmusicians' brains.
Dawn Louise Merrett   +2 more
doaj   +1 more source

Cognitive control in music: adaptive strategies for relative pitch across the absolute-pitch proficiency continuum

open access: yesFrontiers in Psychology
Absolute pitch (AP) is often regarded as a rare gift, yet Western tonal music relies more on relative pitch (RP), which encodes meaning through intervals to the keynote (tonic).
Karen Shibayama   +2 more
doaj   +1 more source

Absolute Pitch in Oral Transmission of Folk Tunes as Constrained Random Walks

open access: yesEmpirical Musicology Review, 2015
In this commentary, I would like to add a few of our own, still unpublished, empirical observations concerning the possible role of absolute pitch memory (APM) in the oral transmission of folksongs.
Klaus Frieler
doaj   +1 more source

One- or two-step? New insights into two-step hypothesis and rainbow-like theory for pitch class–color synesthesia

open access: yesFrontiers in Psychology
IntroductionThis study investigates the mechanisms underlying pitch class–color synesthesia, a cognitive trait in which musical pitches evoke color perceptions.
Ang Cao, Kazuhiro Ueda
doaj   +1 more source

Revisiting the pitch angle of the cutting edge of the plough-share to the furrow bottom

open access: yesСельскохозяйственные машины и технологии, 2015
Mold board soil cultivating is the most power-intensive operation in crop production. Decrease of power consumption of plowing by the plow body is possible in case of change of the pitch angle of the cutting edge to the furrow bottom. Thus cutting by the
S. I. Starovoytov   +2 more
doaj  

Recognition of melodies by absolute pitch- and non absolute pitch possessors

open access: yesThe Proceedings of the Annual Convention of the Japanese Psychological Association, 2010
openaire   +2 more sources

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