Results 31 to 40 of about 584 (258)
British Educational Research Journal, EarlyView.Abstract Previous research concerning Global South doctoral students in the United Kingdom has mainly situated their experiences within adaptationist paradigms, emphasising cultural adjustment and assimilation into Western academic norms. Such studies often depict students as passive recipients, overlooking their agency and the transformative potential
Peng Zhang +3 more
wiley +1 more source
The Theatre of the Absurd icon: Edward Albee’s Juxtaposition of Abstract Symbolism to Existential realism in Who’s afraid of Virginia Wolf? [PDF]
Akofena: Among the diverse literary dramatic forms, the theatre of the absurd inhabits and characterizes the intellectual European literature since the fifteenth century, starting from Erasmus of Rotterdam’s Praise of Madness (1511).
Hassiba BOUKHATEM
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Differences in Immediate and Delayed Suggestibility Among Children With Dyslexia and Controls
Behavioral Sciences &the Law, EarlyView.ABSTRACT The primary aim of this study was to investigate the relationship between dyslexia and suggestibility in children, and the extent to which this relationship is accounted for by performance on Word Tasks. Participants comprised 95 children with dyslexia and 109 controls.
Gisli Gudjonsson +2 more
wiley +1 more source
International Journal of Eating Disorders, EarlyView.ABSTRACT Objective Recovery from anorexia nervosa involves psychological and social adjustments that extend beyond weight restoration. Online forums increasingly serve as spaces where recovery experiences are openly shared, including accounts of “extreme hunger” during refeeding—a phenomenon that has not been reported in the clinical literature.
Léonie Langanay +6 more
wiley +1 more source
“ROMANTIC” ABSURD: “THE INVASION” BY ARTHUR ADAMOV AND “CHATTERTON” BY ALFRED DE VIGNY
Известия Южного федерального университета: Филологические науки, 2021 The article contains an intertextual analysis of the play “The Invasion” (1949) by Arthur Adamov, one of the classical examples of the drama of the absurd.
Kira P. Osmanova
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5. Absurdism, protest, and commitment
, 2016 The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience.
Kirsten E. Shepherd-Barr
core +1 more source
Do Linking‐Expression Substitutions Mitigate Deterministic Interpretations of Genetic Information?
Journal of Applied Philosophy, EarlyView.ABSTRACT It is a common concern that broader audiences interpret scientific information about the genetic correlates and causes of complex human traits in an overly deterministic manner. A frequently proposed way to address this issue is to carefully select the linking expressions used to describe gene–trait relationships when communicating genetic ...
Riin Kõiv
wiley +1 more source
The Journal of Humanistic Counseling, EarlyView.ABSTRACT This article examines the future place of humanistic counseling, assuming the successful mass deployment of artificial intelligence therapy chatbots (AITCs). We systematically identify the limitations of AITCs through the lens of Jean Baudrillard's view on simulacra and hyperreality and identify five collective psychosocial consequences of ...
Brett. D. Wilkinson, Andrew M. Brown
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European Journal of American Studies, 2016 This article combines Foucault’s exploration of the ancient Greek concept of parrhesia with the novels of Joseph Heller to attempt to arrive at a more complete critical position for an author whose work, aside from his first novel, is often critically ...
Peter Templeton
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“I HAD BECOME A COW”: KIMURA YŪSUKE’S "SACRED CESIUM GROUND" AND ROBERT MOORE’S "FIGURING GROUND"
Studia Universitatis Babeş-Bolyai. Philologia, 2022 “I had become a cow”: Kimura Yūsuke’s Sacred Cesium Ground and Robert Moore’s Figuring Ground. This paper shows how Kimura Yūsuke’s Sacred Cesium Ground (2016; translated 2019) and Robert Moore’s Figuring Ground (2009) expose the biopolitical ...
Shoshannah GANZ
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