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An oxygen vacancy–rich FeZnCuCoNi high‐entropy oxide was constructed using a dual‐defect engineering strategy. This multi‐layer eggshell‐structured material delivers remarkable electrochemical performance, with high specific capacitance, excellent rate capability, and long‐term cycling stability even after 10 000 cycles.
Shunxiang Wang +5 more
wiley +1 more source
The LSTZ coating significantly enhances the electrochemical performance of Li‐rich Mn‐based cathodes, achieving high ICE (79.5%) and outstanding long‐term cycling stability (178.5 mAh g−1 with 94.4% retention after 120 cycles at 25 °C; 209.7 mAh g−1 with 95.7% retention after 300 cycles at 45 °C).
Yuyao Ma +4 more
wiley +1 more source
20th National Cancer Congress of the German Cancer Society. Berlin, 16-20 March 1992. Abstracts. [PDF]
europepmc +1 more source
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2010
Die Kunst-, Kultur- und Bildwissenschaften schreiben sich „Aby Warburg“ auf ihre Banner. Ohne sich um akademische Disziplinengrenzen zu kümmern, prägte er Begriffe und Konzepte von hoher Aktualität und großer intellektueller Anregungskraft. Trotz seines gegenwärtigen Kultstatus werden Warburgs Schriften allerdings kaum gelesen.
openaire +1 more source
Die Kunst-, Kultur- und Bildwissenschaften schreiben sich „Aby Warburg“ auf ihre Banner. Ohne sich um akademische Disziplinengrenzen zu kümmern, prägte er Begriffe und Konzepte von hoher Aktualität und großer intellektueller Anregungskraft. Trotz seines gegenwärtigen Kultstatus werden Warburgs Schriften allerdings kaum gelesen.
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2018
One preliminary point which must be stated regarding Agamben’s relation to the art historian Abraham (‘Aby’) Moritz Warburg (1866–1929) is that this line of questioning is not reducible to problems regarding imagery or ‘visual’ art. Agamben says explicitly that ‘only the myopia of a psychologizing history of Art could have defined [Warburg’s art ...
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One preliminary point which must be stated regarding Agamben’s relation to the art historian Abraham (‘Aby’) Moritz Warburg (1866–1929) is that this line of questioning is not reducible to problems regarding imagery or ‘visual’ art. Agamben says explicitly that ‘only the myopia of a psychologizing history of Art could have defined [Warburg’s art ...
openaire +1 more source

