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Aby Warburg: An Intellectual Biography

The Art Bulletin, 1972
This book introduces the reader to the ideas and the personality of a scholar who exerted a major influence on the course of art-historical studies through his publications, through the Institute which bears his name, and through his disciples, who include some of the most eminent people in the field.
Ernst Gombrich, Fritz Saxl
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Ordem sustentada. O Atlas Mnemosyne de Aby Warburg

19&20
No início do século XX, a ideia de que o conhecimento podia ser obtido através de combinações de imagens não era uma abordagem incomum na história da arte.
P. Schneider
semanticscholar   +1 more source

Denkraum y estética zen. En torno al concepto de Equilibrio en Aby Warburg y Morihei Ueshiba

Libro de Actas - VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. EX±ACTO
En esta conferencia reflexionamos sobre el  concepto Denkraum como una búsqueda por restablecer el equilibrio entre imagen, experiencia y cuerpo. Para ello, recurrimos a la fenomenología del cuerpo presente en el Aikido, y al concepto Warburgiano de ...
Jorge Luis osiris Fernandez arias
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TRA A singularidade do drapeado ou a expressividade do ornamento em Aby Warburg

Imagem
Tradução para o português do artigo de Marie Schiele, publicado originalmente na revista francesa Cahiers Philosophiques em 2020, em um número dedicado especialmente ao ornamento. O texto de Schiele adquire relevância ao explorar as investigações sobre a
Maria Ivette Job
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Aby Warburg and Cinema, Revisited

New German Critique, 2020
Abstract The final, unfinished project of the Hamburg art historian and Kulturwissenschaftler Aby M. Warburg (1866–1929)—the so-called Mnemosyne image atlas (Bilderatlas)—has recently drawn increased attention not only from scholars but also from artists and museum curators.
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Aby Warburg and the Foundations of Image Studies

2021
“I am an image historian, not an art historian”. Claiming to have spoken these words to his son, Aby Warburg (13 June 1866–26 October 1929) recorded them in his diary on 12 February 1917. Since the beginning of the First World War, Warburg kept cautiously surveying the latest political and military developments and their reception in Germany and Europe,
Steffen Haug, Johannes von Müller
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Aby Warburg

2018
One preliminary point which must be stated regarding Agamben’s relation to the art historian Abraham (‘Aby’) Moritz Warburg (1866–1929) is that this line of questioning is not reducible to problems regarding imagery or ‘visual’ art. Agamben says explicitly that ‘only the myopia of a psychologizing history of Art could have defined [Warburg’s art ...
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Iconology of the interval: Aby Warburg's legacy

Word & Image, 2001
Abstract It has long been recognized that Aby Warburg played a central role, perhaps even he central role, in elevating the role of iconology in Art History. Having been traditionally regarded as an ancillary activity, iconological interpretation came to displace the concern with aesthetic form and style predominant in late nineteenth-century art ...
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Digitising Aby Warburg’s Mnemosyne Atlas

Theory, Culture & Society, 2020
Archives are being digitised on an enormous scale worldwide, and the connections between Aby Warburg’s Mnemosyne Atlas and the contemporary digital accumulation of data have not been lost on contemporary scholars. By problematising what I suggest is a simplified relation between repetition and replication in the transmission of Warburg’s body of work ...
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Aby Warburg and the Secularization of the Image

2013
This chapter draws attention to the anthropological imagination of Aby Warburg, the great student of world culture and comparative mythology whose “Warburg Library,” founded in Hamburg, served as the meeting place for Weimar philosophers, historians, and cultural critics. Warburg determined the library's acquisitions from 1886 until his sudden death in
Michael P. Steinberg, Yaron Ezrahi
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