Aby Warburg e a imagem em movimento (Philippe-Alain Michaud)
Aby Warburg e a imagem em movimento Philippe-Alain MICHAUD — Editorial: Contraponto.
wayner tristao
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‘A workshop of the mind’: Aby Warburg, Fragmente zur Ausdruckskunde, edited by Ulrich Pfisterer and Christian Hönes. Berlin: Walter de Gruyter, 2015. Volume 4 of Aby Warburg: Gesammelte Schriften. [PDF]
This review considers the publication of the full text of Aby Warburg’s Fragments towards a Monistic Psychology of Art. The Fragments have often featured in accounts of Warburg’s work, but this is the first time that a definitive version of the text has ...
Matthew Rampley
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Logics of Discovery II: Lessons from Poetry-Parataxis as a Method That Can Complement the Narrative Compulsion in Vogue in Contemporary Mental Health Care. [PDF]
Stanghellini G.
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Targeting the lactic acid metabolic pathway for antitumor therapy. [PDF]
Li Z, Cui J.
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Descalça vai uma ninfa: a propósito de um vilancete de Camões
Neste artigo, mobilizamos o conceito-imagem da Ninfa, postulado pelo historiador da arte alemão Aby Warburg, para pensar a performance da personagem feminina que aparece no poema “Descalça vai para a fonte”, de Luís de Camões. Leanor, a moça que caminha
Alexandra Tavares dos Santos Barroso +1 more
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The Collaboration Between Art History and Genetics - An Unlikely Marriage of Disciplines. [PDF]
De Smet I, Vergauwen D.
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The ERC PuppetPlays project : contribution for a non-linear history of the European theatre. [PDF]
Plassard D.
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Entre sobrevivências e metamorfoses: a montagem de imagens em Aby Warburg e André Malraux
Rafaela Alves Fernandes
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Aby Warburg au-delà du génie solitaire
Béatrice Joyeux-Prunel
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