MODERN APPROACHES AND INNOVATIVE TECHNIQUES IN THE CREATION FOR ACCORDION DE PROFUNDIS BY SOFIA GUBAIDULINA [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 The article is dedicated to one of the most important academic works for accordion, written in the 20th century –“De Profundis” by Sofia Gubaidulina, a composer that deeply marked the contemporary academic music.
MIRZAC, SERGIU, BUNEA, DIANA
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A novel two-dimensional accordion-like titanium carbide (MXene) for adsorption of Cr(VI) from aqueous solution [PDF]
Journal of Advanced Dielectrics, 2018 Herein, we report on a novel two-dimensional (2D) material application, which shows that an accordion-like layered Ti3C2 nanomaterial (MXene) with an excellent adsorption capacity of Cr(VI) from aqueous solution was prepared by etching Al layer from ...
Yi Tang, Chenhui Yang, Wenxiu Que
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INTRODUCTION AND RONDO CAPRICCIOSO FOR VIOLIN AND ORCHESTRA,OP. 28, BY C. SAINT-SAËNS,IN ACCORDION VERSION [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2023 Transcription is a widely spread creative process in musical art, determined by the need to complete the repertoire, by the desire of musicians to perform on their instruments well- known and valuable creations written in the original for different ...
ȘTIUCA, PETRU
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PRELUDE AND FUGUE IN G MINOR FOR ORGUE BY J.S. BACH IN ACCORDION INTERPRETATION [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2023 The article is dedicated to the peculiarities of interpreting on the accordion the transcription of a polyphonic creation from universal literature – Prelude and Fugue in G minor, BWV 535, by J. S. Bach, written originally for the organ.
ȘTIUCA, PETRU
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THE ACCORDION AS A MUSICAL INSTRUMENT IN THE CONTEXT OF TRADITIONAL INTERPRETATIVE ART IN THE REPUBLIC OF MOLDOVA IN THE 20th–21st CENTURIES [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 In this article we aim to approach some issues related to the development of traditional interpretative art in the Republic of Moldova. With the aim of studying the accordion, it has been necessary to consult different sources such as historical ...
SLABARI, NICOLAE
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INNOVATIVE TECHNIQUES ON THE ACCORDION AS A MEANS OF EXPRESSING THE CONTEMPORARY ARTISTIC MESSAGE: FRAGILISSIMO ENTERA BY GORKA HERMOSA [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, PracticăGorka Hermosa is one of the most important names in contemporary accordion art, who has established himself in the international musical life not only through his rich activity as a virtuoso performer or through his books dedicated to accordion research,
MÎRZAC, SERGIU
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Plastic and Reconstructive Surgery, Global Open, 2021 Background:. Standard lifting and tightening protocols with microfocused ultrasound with visualization (MFU-V, Ultherapy) comprise the use of multiple transducer depths.
Stephen Lowe, MBChB, FRACGP, MPH
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The place of accordion art in the system of music education
Культура України, 2019 The aim of this paper is to highlight the place of accordion art in the system of music education. The purpose of this study is to substantiate and clarify the mission of accordion art in the system of music education. Research methodology.
K. Bogicevic
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Rapid measurement of heteronuclear transverse relaxation rates using non-uniformly sampled R1ρ accordion experiments [PDF]
Magnetic Resonance, 2021 Multidimensional, heteronuclear NMR relaxation methods are used extensively to characterize the dynamics of biological macromolecules. Acquisition of relaxation datasets on proteins typically requires significant measurement time, often several days ...
S. Wernersson +3 more
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METHODS AND SPECIFIC FEATURES OF TRANSCRIBING AND PERFORMING POLYPHONIC WORKS FOR ACCORDION [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 The process of transcribing polyphonic works for accordion requires the observance of some rules regarding the changes of the musical text, related to the substitution of various elements of the creation or even the renunciation of some of them ...
ȘTIUCĂ, PETRU
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