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Acoustical designing for performers

The Journal of the Acoustical Society of America, 1977
The normal procedure in acoustical designs usually emphasizes audience acceptance. This approach often results in unfavorable acoustical conditions for performing artists, both instrumental and vocal. The imbalance occurs form neglect of the musicians’ need for mutual communication, and too great an emphasis on achieving ’’optimum’’ reverberation ...
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Hydro-Acoustic Performance

2015
The propulsor is the most important noise source. Low rotational speed and low tip speed are generally considered advantageous from a hydro-acoustic point of view. Hydroacoustic noise generated directly by a propulsor can be categorized into: cavitation noise; narrowband, (or tonal), noise; and broadband noise.
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Relating acoustics and thermal performance

The Journal of the Acoustical Society of America, 2013
Good thermal performance of a building produces a tangible financial return to the owner that comes from energy savings. While some not-as-directly tangible returns such as functionality or productivity can be exacted from good acoustics, some acoustic treatment materials or techniques also exhibit beneficial thermal properties. This paper examines and
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Acoustic conditions preferred by performers

The Journal of the Acoustical Society of America, 1988
To obtain a guideline for the stage enclosure design in a concert hall for a performer, subjective preference judgments for synthetic music sound fields have been performed by alto-recorder soloists in relation to objective parameters. The sound fields consisted of two early reflections and their subsequent reverberation with systematically varied ...
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Ubiquitous Acoustic Sensing on Commodity IoT Devices: A Survey

IEEE Communications Surveys and Tutorials, 2022
Chao Cai, Rong Zheng, Jun Luo
exaly  

Acoustic Performance

1962
R. H. Ferris, A. T. McClinton
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Nonreciprocity in acoustic and elastic materials

Nature Reviews Materials, 2020
Hussein Nassar   +2 more
exaly  

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