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The "Reading the Mind in Films" Task: A Pilot Study on Complex Emotion and Mental State Recognition for the Italian Adaptation in Adults with and Without Autism Spectrum Conditions. [PDF]
Brain SciScuotto RS, Bonfanti S, Ricciardelli P.
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2023
This relates Pearl's years in Springfield, Missouri (1899-1907) where the family moved when she was ten years old, including her first work as an actress with local stock companies along with the legends that would later become a part of the story of her early life.
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This relates Pearl's years in Springfield, Missouri (1899-1907) where the family moved when she was ten years old, including her first work as an actress with local stock companies along with the legends that would later become a part of the story of her early life.
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Educational Media Reviews Online, 2015
Distributed by Cinema Guild, 115 West 30th Street, Suite 800, New York, NY 10001; 212-685-6242Producer n/aDirected by Robert Greene2014, DVD, color, 86 min. Brandy Burre, a classically beautiful woman, who is a dead ringer for Anouk Aimée in her prime, is the subject of Actress, an intriguing documentary that flirts with fiction.
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Distributed by Cinema Guild, 115 West 30th Street, Suite 800, New York, NY 10001; 212-685-6242Producer n/aDirected by Robert Greene2014, DVD, color, 86 min. Brandy Burre, a classically beautiful woman, who is a dead ringer for Anouk Aimée in her prime, is the subject of Actress, an intriguing documentary that flirts with fiction.
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Abstract This chapter examines Hepburn’s skill as actress. It looks at examples of her expert timing, her use of props, her expressive face, her interaction with other actors in an ensemble, and the overall nuance with which she developed complex characterizations.
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2015
No playwright has exercised more power over the casting of his plays than Bernard Shaw. Between the writing of Widowers’ Houses and Buoyant Billions , he spent millions of words wooing, bullying, flattering, and personally coaching actors he tagged for his plays. Shaw needed to verbally dominate: words were his life; words were creative power – ‘And
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No playwright has exercised more power over the casting of his plays than Bernard Shaw. Between the writing of Widowers’ Houses and Buoyant Billions , he spent millions of words wooing, bullying, flattering, and personally coaching actors he tagged for his plays. Shaw needed to verbally dominate: words were his life; words were creative power – ‘And
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BMJ, 2006
Heather Batten is a senior research executive with Conde Nast Publications and a drama student at the Poor School in London. In the November obstetrics and gynaecology objective structured clinical examinations (OSCEs) she played the part of a 30 year old with an abnormal smear and a pregnant 25 year old whose membranes have ruptured at 22 weeks.
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Heather Batten is a senior research executive with Conde Nast Publications and a drama student at the Poor School in London. In the November obstetrics and gynaecology objective structured clinical examinations (OSCEs) she played the part of a 30 year old with an abnormal smear and a pregnant 25 year old whose membranes have ruptured at 22 weeks.
openaire +1 more source