Results 51 to 60 of about 6,846 (223)
Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931
Journal for Eighteenth-Century Studies, EarlyView.Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley +1 more source
Exploring the leaky pipeline: Tokenism, status group effects, or self‐selection?
European Management Review, EarlyView.Abstract In most European universities today, more than 50% of bachelor's degrees are awarded to women, but the corresponding share of full professorships is only about 25%. This phenomenon is called the leaky pipeline. Most explanations refer to gender biases and stereotypes, motherhood, discrimination, and tokenism.
Margit Osterloh, Katja Rost
wiley +1 more source
Black Fugitivity in the Sporting Workplace: The Story of Eniola Aluko
Gender, Work &Organization, EarlyView.ABSTRACT Being a Black fugitive involves constant movement: to find and cultivate spaces of safety and hope. In this paper, I curate a sporting archive about the UK Black women's elite football player Eniola Aluko to read her as a Black fugitive. I demonstrate how she traversed a racist and anti‐Black sporting workplace—where she was unfairly demonized
Aarti Ratna
wiley +1 more source
Drammaturgia, 2016 Born into an acting family, she began her career in companies in Tuscany. She gained her first leading actress role in 1811 in the troupe run by her mother, Elisabetta, and by Antonio Belloni, Carlo Calamari and Ferdinando Meraviglia.
Francesca Simoncini, Antonio Tacchi
doaj +3 more sources
Role of Vogue Magazine in the Transformation of Screen Characters into Style Icons
ZoneModa Journal, 2017 This article focuses on the role of Vogue magazine in the creation of style icons, which are primarily movie characters. Based on the theories of iconicity and conditions of truly iconic, it has been researched, how Vogue magazine transforms a celebrity ...
Darina Granik
doaj +1 more source
The Irony of Liberation in One Flew Over the Cuckoo's Nest
The Journal of American Culture, EarlyView.ABSTRACT The 1975 film One Flew Over the Cuckoo's Nest vividly portrays the tragic consequences of repressive psychiatric authority. The film was—and remains—one of the most memorable and well‐known products of anti‐psychiatry sentiment. Opponents of American psychiatry from the time period of Cuckoo's Nest objected to what they saw as social control ...
Laura Hirshbein
wiley +1 more source
Mind the Cue: Subtle Linguistic Cues Influence Support for Anti‐Refugee Policies
Journal of Applied Social Psychology, EarlyView.ABSTRACT This work drew on psycholinguistic research on the power of language in shaping emotions and policy preferences, exploring a subtle means of political persuasion. We proposed examining the impact of grammatical form in political communication—how hearing others assert their positions in verb versus noun form impacts the receiver's anger and ...
Orly Idan +4 more
wiley +1 more source
Journal of Clinical Nursing, EarlyView.ABSTRACT Aims To evaluate the effectiveness of simulation on nursing students' translation into practice of clinical judgement, knowledge about the nursing process self‐confidence and to comprehend the learning process and translation into clinical practice of competencies developed through clinical simulation in nursing students.
George Oliveira Silva +6 more
wiley +1 more source
Ideal yet Actual: Actresses Posing as Antique Heroines in Late-Victorian “Classical” Portraits
InterfacesThe late-Victorian neoclassical artists George Frederic Watts, Frederic Leighton and Edward Poynter posed three famous actresses, Ellen Terry, Dorothy Dene and Lillie Langtry, in paintings whose subjects were drawn from Antiquity.
Anne-Florence Gillard-Estrada
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“Hold on, I'm comin'”: Copyright, political campaigns, and the limits of songwriter control
The Journal of World Intellectual Property, EarlyView.Abstract This article examines how songwriters in the United States object to the unwanted performance of their musical works at live political events, and the legal options available to challenge such uses. Prompted by the repeated use of ‘Hold On, I'm Comin'’ as outro music at Donald Trump's campaign events between 2020 and 2024, and the recent ...
Joel Cooper, Marie Hadley
wiley +1 more source