Results 91 to 100 of about 221,240 (227)
Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’ [PDF]
234 p. : il., Tablas.Libro ElectrónicoLa creatividad siempre está en movimiento: surge, se establece en el ente colectivo, palidece y desaparece a veces en el olvido; renace, vuelve con innovaciones, se reformula y resurge iniciando de nuevo el ciclo.
Raunig, Gerald (Ed.) +2 more
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La forme informelle du monde et de l’improvisation
Cet essai part d’une lecture de l’essai classique « Vers une Musique Informelle », en se concentrant sur le concept d’« informel » qu’Adorno a utilisé pour penser son utopie musicale.
Frederico Lyra de Carvalho
doaj
El «Wagner» de Adorno. Metacrítica de la crítica del wagnerianismo
Análisis textual de la obra de Adorno sobre Wagner, especialmente del Ensayo sobre Wagner, en el que se pretende establecer las razones de Adorno para su crítica severa de Wagner, así como sus prejuicios sobre la obra.
Cesáreo Villoria García
doaj +1 more source
‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice
The article discusses the author's insights on the implications of the musical score of the motion picture "Bride of Frankenstein," by Max Steiner and Erich Wolfgang Korngold in the U.S. in the 1930s. He believes that the musical score critiques the Nazi
Winters, Ben
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Amitav Ghosh and the Aesthetic Turn in Postcolonial Studies [PDF]
This essay explores the aesthetic turn in postcolonial studies in light of the literary works of Indo-Burmese author Amitav Ghosh. While a renewed interest in aesthetic theories is apparent throughout the humanities in the past decade, it is ...
Su, John
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Céu de Barthes, Adorno, Céu de Adorno Sky of Barthes, Adorno, Sky of Adorno
Embora tudo os separe, Roland Barthes e Adorno são encontrados, praticamente, no mesmo momento, nos alvores dos anos 1950, dedicando-se a uma mesma tarefa: perscrutar o horóscopo jornalístico e denunciar-lhe a fraude. Os resultados de suas pesquisas saíram em livros no mesmo ano.
openaire +1 more source
This dissertation deals with the tragic vision that motivates certain key aspects of Theodor W. Adorno’s philosophy. While in the formative early work, the Dialectic of Enlightenment, co-written with Max Horkheimer, the tragic views are clear, in later works, such as the Aesthetic Theory and the Negative Dialectics, they are only implicit.
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