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Adorno's Metaphysics of Mourning: Beethoven's Farewell to Adorno
The Musical Quarterly, 2004link_to_subscribed_fulltext
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New German Critique, 1984 The exemplary anecdotes are known to us all. Adorno arrived in America in 1938 to work on Paul Lazarsfeld's Princeton Radio Research Project. Lazarsfeld wrote of his new acquaintance: "He looks as you would imagine a very absent-minded German professor, and he behaves so foreign that I feel like a member of the Mayflower society."' Adorno traveled to ...
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Thesis Eleven, 1999
Adorno's first musical monograph, his book on Wagner, represents his most consistent effort to apply commodity analysis to one of the seminal oeuvres of cultural modernity. The notion of commodity character and the associated concept of phantasmagoria are to fulfil the function of mediation between the more narrowly conceived technical analysis of ...
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Adorno's first musical monograph, his book on Wagner, represents his most consistent effort to apply commodity analysis to one of the seminal oeuvres of cultural modernity. The notion of commodity character and the associated concept of phantasmagoria are to fulfil the function of mediation between the more narrowly conceived technical analysis of ...
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2019
What Theodor W. Adorno says cannot be separated from how he says it. By the same token, what he thinks cannot be isolated from how he thinks it. The central aim of Thinking with Adorno: The Uncoervice Gaze is to examine how these basic yet far-reaching assumptions teach us to think with Adorno—which is to say, both alongside him and ...
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What Theodor W. Adorno says cannot be separated from how he says it. By the same token, what he thinks cannot be isolated from how he thinks it. The central aim of Thinking with Adorno: The Uncoervice Gaze is to examine how these basic yet far-reaching assumptions teach us to think with Adorno—which is to say, both alongside him and ...
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Personality and Social Psychology Bulletin, 1977
Adorno's legacy to social psychology has little to do with the F-Scale of The Authoritarian Personality (1950). Instead, his contribution to this study was the method of qualitative con tent-analysis used in interpreting the interview material. The method can be identified as a dialectical, materialist, hermeneu tics.
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Adorno's legacy to social psychology has little to do with the F-Scale of The Authoritarian Personality (1950). Instead, his contribution to this study was the method of qualitative con tent-analysis used in interpreting the interview material. The method can be identified as a dialectical, materialist, hermeneu tics.
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Philosophy Today, 2008
Fredric Jameson, observing in Late Marxism that Adorno adopts Marx's view about the abstract character of all historical forms of exchange, adds that the abstractions characteristic of exchange profoundly affect society because they extend "across the whole range of distinct human activities (from production to the law, from culture to political forms,
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Fredric Jameson, observing in Late Marxism that Adorno adopts Marx's view about the abstract character of all historical forms of exchange, adds that the abstractions characteristic of exchange profoundly affect society because they extend "across the whole range of distinct human activities (from production to the law, from culture to political forms,
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Philosophy & Social Criticism, 2017
Adorno’s ‘addendum’ names the experience by which socially constrained agents are jolted into resistance against their suffering. The impulse to action is simultaneously intra-mental and somatic, and thus forms the locus of a jointly conscious and bodily impetus to confronting the ideological and material forces that produce contemporary unfreedom. In
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Adorno’s ‘addendum’ names the experience by which socially constrained agents are jolted into resistance against their suffering. The impulse to action is simultaneously intra-mental and somatic, and thus forms the locus of a jointly conscious and bodily impetus to confronting the ideological and material forces that produce contemporary unfreedom. In
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Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, 1988
‘Negativitat’ ist ein Schlusselbegriff von Adornos gesamtem Denken, speziell auch seiner Kunstphilosophie. Eine Analyse seines vielfaltigen Bedeutungsspektrums zeigt seine theoretische Tragweite wie seine Problematik als asthetisches Grundprinzip und last es schlieslich als fragwurdig erscheinen, die gangige Interpretation von Adornos Asthetischer ...
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‘Negativitat’ ist ein Schlusselbegriff von Adornos gesamtem Denken, speziell auch seiner Kunstphilosophie. Eine Analyse seines vielfaltigen Bedeutungsspektrums zeigt seine theoretische Tragweite wie seine Problematik als asthetisches Grundprinzip und last es schlieslich als fragwurdig erscheinen, die gangige Interpretation von Adornos Asthetischer ...
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