Results 61 to 70 of about 4,424 (184)
Bound by blood and bloodshed: Sibling ties and participation in genocidal violence
Abstract Focusing on the 1994 genocide in Rwanda, we examine how sibling relationships—one of the most salient familial bonds—influence individual engagement in violence during mass atrocity. Drawing on an adaptation of differential association and social learning theories for contexts of mass atrocity, we analyze a novel dataset linking over 300,000 ...
Jack G. R. Wippell +3 more
wiley +1 more source
Adornos Zunge / A Língua de Adorno
Poem from Günther Grass, in German, and its translation into Portuguese by Myrian Ávila.
openaire +2 more sources
La ropa, los adornos y el cuerpo. La interacción entre el productor, el objeto y el consumidor.
A partir de dos documentales, se analizan algunos de los valores que los diseñadores y artesanos otorgan a su oficio. Aquellos que se dedican al diseño de indumentaria y adorno son más conscientes del cuerpo del sujeto que consumirá su producción.
Nuria Peist Rojzman
doaj +1 more source
Céu de Barthes, Adorno, Céu de Adorno Sky of Barthes, Adorno, Sky of Adorno
Embora tudo os separe, Roland Barthes e Adorno são encontrados, praticamente, no mesmo momento, nos alvores dos anos 1950, dedicando-se a uma mesma tarefa: perscrutar o horóscopo jornalístico e denunciar-lhe a fraude. Os resultados de suas pesquisas saíram em livros no mesmo ano.
openaire +1 more source
The end (and persistence) of subjectivity: Lukács with Adorno, Adorno with Lukács [PDF]
This paper revisits Lukács’s and Adorno’s analyses of reification to articulate a diagnosis that accounts both for its tendencies towards authoritarianism and its emancipatory potentials. Despite their divergences, Lukács’s conception of the proletariat as ‘identical subject-object of history’ and Adorno’s diagnosis of ‘the end of psychology’ in the ...
openaire +1 more source
La forme informelle du monde et de l’improvisation
Cet essai part d’une lecture de l’essai classique « Vers une Musique Informelle », en se concentrant sur le concept d’« informel » qu’Adorno a utilisé pour penser son utopie musicale.
Frederico Lyra de Carvalho
doaj

