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The Structure of Aesthetic Properties

Philosophy Compass, 2008
Abstract Aesthetic properties are often thought to have either no evaluative component or an evaluative component that can be isolated from their descriptive component. The present article argues that this popular view is without adequate support.
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Aesthetic properties of pictorial perception.

Psychological Review, 1995
The present study assessed the dynamic person-object relationship in pictorial perception as associated with a high-level experience like the aesthetic. A series of experiments was designed to gain insight into the complexities of self-world interactions involving the perceptual experience, which is the basis of artistic communication.
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What are Aesthetic Properties?

2006
Abstract This essay presents a defence of aesthetic realism, focusing on the issue of how properties in general and aesthetic properties in particular should be conceived. It is proposed that at least paradigm cases of the latter are to be understood ashigher-order perceptual ways of appearing.
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The Concept of an Aesthetic Property

Journal of Aesthetics and Art Criticism, 2002
property" may be able to meet these requirements. In the second section, I present what I take to be a definition of this notion, and, in the third section, I try to show that it does indeed meet the requirements mentioned above. In the next section, I address some worries that are likely to come up.
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The Nature of Aesthetic Properties

2001
Abstract IN THE attempt to explain the nature of aesthetic properties, philosophers have used a variety of distinctions borrowed from metaphysics and epistemology, for example, primary-secondary, objective-subjective emergent-nonemergent, intrinsic-extrinsic, descriptive-evaluative, physical-mental, rational-irrational, relative-absolute,
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Formal Aesthetic Properties of Gardens

Abstract Chapter 5—“Formal Aesthetic Properties of Gardens”—begins with a general account of what it means to aesthetically appreciate anything. Working with this structure, the chapter explores what it means to aesthetically appreciate gardens, with a specific emphasis on identifying a garden’s aesthetic properties.
David Fenner, Ethan Fenner
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