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differences, 2023
This essay considers Bersani and Dutoit’s alignment of passivity and the aesthetic in “Merde Alors,” their essay on Pier Paolo Pasolini’s film Salò. Passivity is a key strategy for the production of works of art and is key to understanding the mode of the aesthetic itself. The question of passivity appears elsewhere in Bersani’s work, and “Merde Alors”—
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This essay considers Bersani and Dutoit’s alignment of passivity and the aesthetic in “Merde Alors,” their essay on Pier Paolo Pasolini’s film Salò. Passivity is a key strategy for the production of works of art and is key to understanding the mode of the aesthetic itself. The question of passivity appears elsewhere in Bersani’s work, and “Merde Alors”—
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In Defence of Aestheticism [PDF]
, 2021 This chapter draws together the various sources of aesthetic value presented in earlier chapters of the book and articulates how together they allow us to experience the entire world as aesthetically valuable.
Tom Cochrane
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2018
This entry provides an analysis of the development of the concept of aestheticization by assessing it from a historical-conceptual point of view.
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This entry provides an analysis of the development of the concept of aestheticization by assessing it from a historical-conceptual point of view.
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The Aestheticization of Counterpower
2021The impact of new communication technologies—especially social networks such as Twitter, YouTube, and Facebook—on democracy and mass movements has been a core subject in the area of social and political research ever since these technologies have started to play a crucial role in dissemination of ideas that go beyond the limits of mass media and foster
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Aestheticization of Flowcharts
2008One of the important issues of diagrams is their aesthetics. In this paper a method of its formalization for freehand drawn flowcharts is proposed. In order to formalize the evaluation of flowcharts' aesthetics a criterion consisting of several measures is proposed.
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The aestheticization of suffering on television
Visual Communication, 2006This article analyses an example of war footage in order to trace the ways in which the tension between presenting airwar as an `objective' piece of news and as an instance of intense human suffering is resolved in television's strategies of mediation.
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Nietzsche’s Naturalized Aestheticism
British Journal for the History of Philosophy, 2014This essay seeks to overcome the divide that has emerged in recent scholarship between Alexander Nehamas’s reading of Nietzsche as an aestheticist who eschews the dogmatism implicit in the scientific project and Brian Leiter's reading of Nietzsche as a hard-nosed naturalist whose project is continuous with the natural sciences.
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