Results 211 to 220 of about 3,569 (259)
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Aesthetics, Ethnicity, and the History of Art
The Art Bulletin, 1996Part of a symposium providing a range of critical perspectives on aesthetics, ethnicity, and the history of art. The writer examines how two etchings of the Regensburg synagogue by Albrecht Altdorfer both encode a history of Christian-Jewish ethnic conflict and foreclose on it through the image of “disappearing” Jews. She contends that the etchings can
Kathleen Biddick +4 more
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Art History, Natural History and the Aesthetic Interpretation of Nature
Environmental Values, 2020This paper examines Allen Carlson's influential view that knowledge from natural science offers the best (and perhaps only) framework for aesthetically appreciating nature for what it is in itself. Carlson argues that knowledge from the natural sciences can play a role analogous to the role of art-historical knowledge in our experience of art by ...
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Art History at the End of Art : Beyond Historical and Aesthetic Understanding
Journal of the Association of Western Art History, 2015근대적 형식 또는 개념으로서의 ‘미술’ 또는 ‘미적인 것’의 종말이 미술사에 의미하는 바와 문제는 무엇인가. 미술사 학제의 핵심을 이루는 ‘역사’의 의미는 어떻게 조명되어 오고 있는가. 본고는 특히 아서 단토와 한스 벨팅이 제기했던 미술(사) 종말론의 문제를 점검하며, ‘근대’와 ‘역사’의 시기로부터 ‘탈근대’ 또는 ‘탈역사’라 일컬어지고 있는 ‘동시대’에 이르기까지 ‘미술’과 ‘역사’라는 범주가 어떻게 변화하며 미술사학에 어떠한 영향을 미쳐오고 있는지 논의한다.
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The Art of Hegel's Aesthetics. Hegelian Philosophy and the Perspectives of Art History [PDF]
This volume explores one of modernity’s most profound and far-reaching philosophies of art: the Vorlesungen über die Ästhetik, delivered by Georg Friedrich Wilhelm Hegel in the 1820s. The book has two overriding objectives: first, to ask how Hegel’s work illuminates specific periods and artworks in light of contemporary art-historical discussions ...
Squire, Michael +9 more
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The Author, Art, and the Market: Rereading the History of Aesthetics
The Journal of Aesthetics and Art Criticism, 1995Dabney Townsend, Martha Woodmansee
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Reanimating the Renaissance: Aesthetes and Art History, 1873-1914
2023This thesis examines responses to the Italian Renaissance by aesthetes in the late nineteenth and early twentieth century. It argues that aesthetes ‘reanimated’ the renaissance across diverse genres and media by negotiating the boundaries between art and life.
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Contemporary Chinese Thought, 2016
Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context.
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Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context.
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Feminist Inquiry in Art History, Art Criticism, and Aesthetics: An Overview for Art Education
Studies in Art Education, 1990Feminist research in the disciplines of art history, art criticism, and aesthetics has challenged the canon of each of these disciplines and the understanding of art which they collectively produce. This paper traces major directions of feminist scholarship in these disciplines and draws implications for art education.
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Daumier and Art History: Aesthetic Judgement/Political Judgement
Oxford Art Journal, 1988It is generally accepted that Daumier's work played a directly political role - or was intended to do so. Those who believe that in the final analysis the aesthetic realm is irreducible, following laws which stand outside history, find justification in the fact that Daumier still enjoys a certain public appeal, long after the political struggles which ...
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