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Aesthetics and Art History Writing in Comparative Historical Perspective
Arethusa, 2010This paper explores the similarities and differences between ancient and modern practices of art appreciation and art history writing in their institutional and cultural contexts. It traces how classical antique practices and concepts of art history and criticism were transformed from the Italian Renaissance to the 18th century.
J. Tanner
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The Author, Art, and the Market: Rereading the History of Aesthetics
The Journal of Aesthetics and Art Criticism, 1995Dabney Townsend, Martha Woodmansee
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Fashioning Chinese feminism: Representations of women in the art history of modern China
Critical Studies in Fashion & Beauty, 2021Artworks record history. The images of women’s fashion and beauty presented in the art history of modern China illustrate explicitly the challenging, changing and circuitous development of women’s rights and feminism in the country.
Shucheng Wang
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International Journal of Urban and Regional Research, 2021
In 1988 a local homeowner in Washington, DC, commissioned a 30-foot mural of an artwork by modernist painter Piet Mondrian on the side of a public housing building, along with several other similar murals across the street.
Johanna K. Bockman
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In 1988 a local homeowner in Washington, DC, commissioned a 30-foot mural of an artwork by modernist painter Piet Mondrian on the side of a public housing building, along with several other similar murals across the street.
Johanna K. Bockman
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Dealing with the Visual: Art History, Aesthetics and Visual Culture
The British Journal of Aesthetics, 2006J. Gaiger
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The history of visual art and it's importance in people life
, 2021There are hundreds of definitions of the art in the history of aesthetics; therefore, it seems hardly possible to propose the only one and ultimate research-based definition.
Barchinoy Qurbonova
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Art History, Natural History and the Aesthetic Interpretation of Nature
Environmental Values, 2020This paper examines Allen Carlson's influential view that knowledge from natural science offers the best (and perhaps only) framework for aesthetically appreciating nature for what it is in itself. Carlson argues that knowledge from the natural sciences can play a role analogous to the role of art-historical knowledge in our experience of art by ...
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