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Next-Gen Restorative Materials to Revolutionise Smiles. [PDF]
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The Labour of Aesthetics and the Aesthetics of Organization
Organization, 2003This article develops the conceptualization and analysis of aesthetic labour in two parts. The first part focuses on conceptualizing aesthetic labour. We critically revisit the emotional labour literature, arguing that the analysis of interactive service work is impeded by the way in which its corporeal aspects are retired and that, by shifting the ...
Witz, Anne M. +2 more
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Aesthetics and the Environment
Review of General Psychology, 1998This article presents a framework for understanding aesthetic experience, with special reference to the natural environment. The framework entails 2 broad perspectives. First, from a functional perspective, aesthetic experiences are analyzed in terms of biological, sociocultural, and psychological systems of behavior; succinctly stated, objects are ...
Averill, J., Stanat, P., More, T.
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Orbis Litterarum, 1997
Within Either/Or (1843), the great work that marked Søren Kierkegaard's breakthrough, the first part contains A's papers, a collection of articles in which A demonstrates his “aesthetic,” i.e., a life‐enjoying, amoral attitude to human existence. In the second part, B is A's friend and opposite: civil servant, husband, man of duty.
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Within Either/Or (1843), the great work that marked Søren Kierkegaard's breakthrough, the first part contains A's papers, a collection of articles in which A demonstrates his “aesthetic,” i.e., a life‐enjoying, amoral attitude to human existence. In the second part, B is A's friend and opposite: civil servant, husband, man of duty.
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The Philosophical Review, 1965
Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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Kierkegaard’s Aesthetics and the Aesthetic of Imitation
Kierkegaard Studies Yearbook, 2014Abstract This paper challenges the general approach to Kierkegaard’s engagement with imitation, which privileges a strictly religious reading. Heretofore imitation has been apprehended as a coherent concept shaped within the context of imitatio Christi in the devotio moderna.
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2009
[Paris Notebook]1 … … … … Desire is the feeling which urges us to go to something and loathing is the feeling which urges us to go from something: and that art is improper which aims at exciting these feelings in us whether by...
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[Paris Notebook]1 … … … … Desire is the feeling which urges us to go to something and loathing is the feeling which urges us to go from something: and that art is improper which aims at exciting these feelings in us whether by...
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2021
What is aesthetics? The answer given by the encyclopedias is clear. The Italian Enciclopedia Filosofica defines aesthetics as "disciplina filosofica che ha per oggetto la bellezza e l'arte".(1) Correspondingly, the French Vocabulaire d'Esthétique determines aesthetics as "étude réflexive du beau" and "philosophie et science de l'art".(2) The ...
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What is aesthetics? The answer given by the encyclopedias is clear. The Italian Enciclopedia Filosofica defines aesthetics as "disciplina filosofica che ha per oggetto la bellezza e l'arte".(1) Correspondingly, the French Vocabulaire d'Esthétique determines aesthetics as "étude réflexive du beau" and "philosophie et science de l'art".(2) The ...
openaire +1 more source