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Aesthetic Experience and Aesthetic Analysis [PDF]
Journal of Aesthetic Education, 2003 The "raw data" that aesthetics is meant to explain is the aesthetic experience. People have experiences that they class off from other experiences and label, as a class, the aesthetic ones. Aesthetic experience is basic, and all other things aesthetic aesthetic properties, aesthetic objects, aesthetic attitudes are secondary in their importance to ...
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Kierkegaard’s Aesthetics and the Aesthetic of Imitation
Kierkegaard Studies Yearbook, 2014Abstract This paper challenges the general approach to Kierkegaard’s engagement with imitation, which privileges a strictly religious reading. Heretofore imitation has been apprehended as a coherent concept shaped within the context of imitatio Christi in the devotio moderna.
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The Philosophical Review, 1965
Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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The "Aesthetic" of the Blues Aesthetic
2019This study of the “Blues Aesthetic” both supplements and revises the now-dominant socio-aesthetic paradigm by introducing the perspectives of cognitive aesthetics to African-American vernacular literary criticism. New methods of scansion, informed by literary and linguistic prosody, are developed to measure previously neglected or misclassified ...
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Aesthetic Experience and Aesthetic Value
Philosophy Compass, 2006AbstractWhat possesses aesthetic value? According to a broad view, it can be found almost anywhere. According to a narrower view, it is found primarily in art and is applied to other items by courtesy of sharing some of the properties that make artworks aesthetically valuable.
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2012
Aesthetics is commonly defined as the study of beauty, and its opposite, ugliness. Some philosophers conceive of aesthetics as applying solely to the arts or to artistic experience. Beginning in the 1960s, the field of cognitive science became increasingly influential in the philosophy of mind.
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Aesthetics is commonly defined as the study of beauty, and its opposite, ugliness. Some philosophers conceive of aesthetics as applying solely to the arts or to artistic experience. Beginning in the 1960s, the field of cognitive science became increasingly influential in the philosophy of mind.
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Annals of the New York Academy of Sciences, 1965
EDRS Price MF-$04 25 HC-$0.60 *Architecture, Cultural Enrichment, Educational Environment, *Environmental Influences, Individual Needs, Medical Services, *Perception, *Physical Environment, Physiology, Psychological Design Needs, *Sensory Experience, Stress Variables The basic concepts acid several examples of the effects of the physical environment on
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EDRS Price MF-$04 25 HC-$0.60 *Architecture, Cultural Enrichment, Educational Environment, *Environmental Influences, Individual Needs, Medical Services, *Perception, *Physical Environment, Physiology, Psychological Design Needs, *Sensory Experience, Stress Variables The basic concepts acid several examples of the effects of the physical environment on
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Experiencing Aesthetically, Aesthetic Experience, and Experience in Aesthetics
1986I paced the platform of the suburban line at the principal rail station in Philadelphia on a gray day in late autumn. The platform had nothing of interest. No object, nothing of significance, not a streak of color relieved the pervasive dullness. The city was blocked out by dirty windows, the billboards were innane, not enough light existed to read ...
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Aesthetic Theory and Aesthetic Science
2018There is currently a great deal of fundamental disagreement in research into aesthetic response. The remedy is ideally integration, wherein researchers in the different aesthetic sciences and humanistic studies converge on a common conception of what they are trying to explain, even if they continue to disagree about how to explain it.
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Orbis Litterarum, 1997
Within Either/Or (1843), the great work that marked Søren Kierkegaard's breakthrough, the first part contains A's papers, a collection of articles in which A demonstrates his “aesthetic,” i.e., a life‐enjoying, amoral attitude to human existence. In the second part, B is A's friend and opposite: civil servant, husband, man of duty.
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Within Either/Or (1843), the great work that marked Søren Kierkegaard's breakthrough, the first part contains A's papers, a collection of articles in which A demonstrates his “aesthetic,” i.e., a life‐enjoying, amoral attitude to human existence. In the second part, B is A's friend and opposite: civil servant, husband, man of duty.
openaire +2 more sources