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The Labour of Aesthetics and the Aesthetics of Organization
Organization, 2003This article develops the conceptualization and analysis of aesthetic labour in two parts. The first part focuses on conceptualizing aesthetic labour. We critically revisit the emotional labour literature, arguing that the analysis of interactive service work is impeded by the way in which its corporeal aspects are retired and that, by shifting the ...
Witz, Anne M. +2 more
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2021
What is aesthetics? The answer given by the encyclopedias is clear. The Italian Enciclopedia Filosofica defines aesthetics as "disciplina filosofica che ha per oggetto la bellezza e l'arte".(1) Correspondingly, the French Vocabulaire d'Esthétique determines aesthetics as "étude réflexive du beau" and "philosophie et science de l'art".(2) The ...
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What is aesthetics? The answer given by the encyclopedias is clear. The Italian Enciclopedia Filosofica defines aesthetics as "disciplina filosofica che ha per oggetto la bellezza e l'arte".(1) Correspondingly, the French Vocabulaire d'Esthétique determines aesthetics as "étude réflexive du beau" and "philosophie et science de l'art".(2) The ...
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Aesthetics Without the Aesthetic?
Diogenes, 2012AbstractThe following paper highlights the way in which contemporary analytic or Anglo-American aesthetics neglects the topic of aesthetic experience. The paper briefly examines the historical background to this situation. It also looks at how analytic aesthetics’ preoccupation with the topic of art is largely responsible for this neglect. It concludes
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“Aesthetics” and “Aesthetic Emotions”
2021Aesthetic emotions in literary creation are an important content for the theory of “Shen Si.” They are the driving force for the genesis of “Shen Si,” the essential element that gives birth to aesthetic images. But at the same time, they are also part of the entire process of “Shen Si.” Ancient literary critics in China pay close attention to the role ...
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Aesthetic Reasons and Aesthetic Shoulds
Southwest Philosophy Review, 2021Some questions about normative structure are global. We can ask how we should live, or what we ought to do all things considered, or whether there are any categorical oughts. But we can also examine local normative structure. We might ask ourselves about what we should do from the moral point of view rather than the prudential one, or discuss ...
Andrew McGonigal, Erin Taylor
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2009
[Paris Notebook]1 … … … … Desire is the feeling which urges us to go to something and loathing is the feeling which urges us to go from something: and that art is improper which aims at exciting these feelings in us whether by...
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[Paris Notebook]1 … … … … Desire is the feeling which urges us to go to something and loathing is the feeling which urges us to go from something: and that art is improper which aims at exciting these feelings in us whether by...
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Kierkegaard’s Aesthetics and the Aesthetic of Imitation
Kierkegaard Studies Yearbook, 2014Abstract This paper challenges the general approach to Kierkegaard’s engagement with imitation, which privileges a strictly religious reading. Heretofore imitation has been apprehended as a coherent concept shaped within the context of imitatio Christi in the devotio moderna.
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Aesthetic Experience and Aesthetic Analysis [PDF]
Journal of Aesthetic Education, 2003 The "raw data" that aesthetics is meant to explain is the aesthetic experience. People have experiences that they class off from other experiences and label, as a class, the aesthetic ones. Aesthetic experience is basic, and all other things aesthetic aesthetic properties, aesthetic objects, aesthetic attitudes are secondary in their importance to ...
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The "Aesthetic" of the Blues Aesthetic
2019This study of the “Blues Aesthetic” both supplements and revises the now-dominant socio-aesthetic paradigm by introducing the perspectives of cognitive aesthetics to African-American vernacular literary criticism. New methods of scansion, informed by literary and linguistic prosody, are developed to measure previously neglected or misclassified ...
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The Philosophical Review, 1965
Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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Abstract Sibley distinguishes aesthetic judgements, non-aesthetic judgements, and verdicts. Verdicts are purely evaluative, while the (initially intuitive) distinction between aesthetic and non-aesthetic judgements demarcates, barring expected borderline cases, the subject matter of aesthetics.
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