Results 31 to 40 of about 92,074 (70)

The Camera’s Ironic Point of View: Notes on Strange and Comic Elements in the Films of Aki Kaurismäki

, 2018
Jaakko Seppälä
semanticscholar   +1 more source

Some of the next articles are maybe not open access.

Related searches:

Europe, spectrality and 'post-mortem cinema': The haunting of history in Christian Petzold's Transit (2018) and Aki Kaurismäki's Le Havre (2011)

, 2020
This article considers the ways in which contemporary filmmakers such as Christian Petzold (Transit, 2018) and Aki Kaurismäki (Le Havre, 2011) experiment with narrative and stylistic strategies to tell their own story about a haunted Europe caught, yet ...
Alice Bardan
semanticscholar   +1 more source

estoicos perdedores humanos de Aki Kaurismäki o cómo vivir de acuerdo con las enseñanzas de Epicteto en un mundo hostil

Eikasia. Revista de filosofía
Este trabajo analiza la huella del estoicismo clásico en el cine de Aki Kaurismäki. Distingue tres tipos de aproximaciones a la obra de Epicteto a lo largo de la trayectoria cinematográfica del director finlandés: películas protoestoicas, dramas ...
Teresa Álvarez Mateos, Daniel Quirante Grao   +1 more
semanticscholar   +1 more source

Aki Kaurismäki’s Finno-French Connections and Other Transcultural Elsewheres

Nordic Film Cultures and Cinemas of Elsewhere, 2019
This chapter examines how Aki Kaurismäki’s cinema is based on transnational codes. The Finnish filmmaker is mostly known by his unique signature style, where time and spaces are an amalgamate of different decades, while still engendering references to ...
Ana Ribeiro
semanticscholar   +1 more source

Aki Kaurismaki (Finlandia 1957) “La existencia no se instala en un interior sin ventanas” (Han, 2021)

UNAULA: Revista de la Universidad Autónoma Latinoamericana
Dentro del marco de las historias oficiales del cine, Aki Kaurismaki es relativamente nuevo: su conexión con la historia de la cinematografía mundial data de mediados de los años ochenta.
José Fernando Saldarriaga M.
semanticscholar   +1 more source

Aki Kaurismaki: Characteristics of His Cinema Language

Language and Public Sphere
This text analyses the typical distinctive features in the work of the Finnish director Aki Kaurismäki. It traces the creative path of the director by presenting the following components of his cinematic language: plot, visual language, acting, music ...
Elitsa Mateeva
semanticscholar   +1 more source

AKI KAURISMAKİ SİNEMASINDA MÜLTECİ TEMSİLLERİ: LE HAVRE ÖRNEĞİ

Uluslararası halkla İlişkiler ve reklam çalışmaları dergisi
Bu çalışmanın temel amacı, Aki Kaurismäki’nin Le Havre (2011) filmini temel alarak, Avrupa genelindeki mülteci krizinin sinema sanatı vasıtasıyla ne şekilde temsil edildiğini ve söz konusu temsillerin toplumsal algılar, bilhassa medya temelli önyargılar ...
Serhat Evin
semanticscholar   +1 more source

Picturing the Other: Teaching Migration and Community with Aki Kaurismäki's Le Havre

, 2021
Heidi Holst-Knudsen
semanticscholar   +1 more source

Le Havre real. par Aki Kaurismäki (review)

, 2021
Marie-Jo Binet
semanticscholar   +1 more source

Nanook of the North: (Robert J. Flaherty, 1922)

, 2009
Aki Kaurismäki
semanticscholar   +1 more source