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Time-Riding: Albertina Carri and the Ironic Affective Presence of the Past

Journal of Latin American Cultural Studies, 2018
Following her work as film director, Argentine artist Albertina Carri presented a series of installations called Operation Failure and the Recovered Sound.
C. Macón
semanticscholar   +2 more sources

Distanciando la memoria. El fracaso de la estrategia antitrauma en Los rubios (2003) de Albertina Carri

Hispanic Research Journal, 2022
RESUMEN Los rubios es una de las películas de la generación de la posmemoria sobre las que más se ha escrito desde el campo de los Trauma Studies.
Álvaro Martín Sanz
semanticscholar   +1 more source

Encrucijadas melodramáticas para una intervención feminista en Géminis de Albertina Carri

Journal of Gender and Sexuality Studies / Revista de Estudios de Género y Sexualidades, 2021
AbstractEste trabajo sobre el filme Géminis (2005) de Albertina Carri se enfoca en su estructura melodramática y las estrategias cinematográficas para criticar a la sociedad de consumo y a la oligarquía argentina a principios del siglo XXI. El tema del incesto en Géminis subvierte las normas ideológicas del melodrama convencional y problematiza la ...
Clark
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Toying with History in Albertina Carri’s Los rubios

, 2016
This chapter analyzes the use of Playmobil figures in Albertina Carri’s Los rubios (2003), a pioneering example of a new trend of post-dictatorship cultural remembrance that takes a desacralized and anti-monumental approach to the past. By drawing parallels between Los rubios and playful memories of other traumatic events—notably the Holocaust—the ...
Jordana Blejmar
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Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri

Studies in Spanish & Latin American Cinemas, 2017
Abstract Lucrecia Martel and Albertina Carri are contemporaneous Argentine directors whose films are frequently included in the category ‘New Argentine Cinema’. Often interpreted as indictments of bourgeois cultural values, Martel’s La ciénaga/The Swamp (Martel, 2001), La niña santa/The Holy Girl (Martel, 2004) and La mujer sin cabeza ...
M. Molloy
semanticscholar   +2 more sources

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