Results 31 to 40 of about 125,180 (106)
Historia niezdyscyplinowanego rozumu. O Notatnikach Aleksandra Wata
Baron-Milian reads the phenomenon of Aleksaner Wat’s Notatniki [Notebooks] through a variety of lenses, including the theory of the archive, textual genetics and somatic criticism.
Marta Baron-Milian
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Notatniki zamiast opus magnum?
Pietrych reviews Adam Dziadek and Jan Zieliński’s transcript and critical edition of Aleksander Wat’s Notatniki [Notebooks]. She outlines the tome’s content and highlights its key problems. Wat’s drafts are conceived of as a trace of the creative process,
Krystyna Pietrych
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The article discusses the so-called periphery of Polish Futurism, especially the activities of those known as the “Youngest Warsaw futurists”, who to this day are considered only as imitators or even plagiarists of writers such as Bruno Jasieński and ...
Krzysztof Jaworski
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Zjazd Królów. Zbigniew Herbert w polskim Paryżu Anno Domini 1967
The year 1967 saw an unprecedented event in Paris: Polish poets, both from Poland and from the diaspora, came together with translators from France, Germany and the USA.
Andrzej Franaszek
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Aleksander Wat. “Mój wiek” (1977) - “Il mio secolo” (2013). Premessa
At the beginning of the 1960s Czesław Miłosz recorded Aleksander Wat’s memories on tape. The recordings were then published with the title Moj Wiek (1977) and translated into many languages. A real “Odyssey of a Polish intellectual”, as the subtitle of the American version (1988) suggested, Wat’s memoir is regarded as one of the most important ...
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Weź sobie: samogłoski z hasioka awangardy
The article expands the horizon of avant-garde studies to include the anarchist perspective in the spirit of Jesse S. Cohn. Zając juxtaposes openness to ethical aspects of a community projected by the text with the categories of negative affirmation and ...
Jadwiga Zając
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The Use of Unmanned Aerial Vehicles in Remote Sensing Systems. [PDF]
Olejnik A +6 more
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Hermeneutyka poetyckiego głosu w najnowszych badaniach literackich
The article discusses the latest research on poetry performance in Polish literature. At the outset, the author situates it within the scope of sound studies as well as acoustic philology and audio anthropology.
Joanna Dembińska-Pawelec
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