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Alexander Pushkin—Black Russian Poet

Black Scholar, 1989
(1989). Alexander Pushkin—Black Russian Poet. The Black Scholar: Vol. 20, Black Culture, pp. 2-9.
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Pushkin, Alexander Sergeyevich (opera)

2002
Martin Cooper, Richard Taruskin
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The category of "uncertainty" in the work of Alexander Pushkin

Vestnik of North-Eastern Federal University, 2021
Аннотация. Стабильное появление различных произведений с неопределенным концом актуализировало интерес к поиску отправной точки появления категории «неопределенность» в литературном творчестве. Сформулировалась идея о том, что именно А. С. Пушкин является родоначальником введения категории «неопределенность» в литературное творчество, поэтому цель ...
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Alexander Sergeyevitch Pushkin

University of Toronto Quarterly, 1937
On February 10, 1937, will occur an event unique in Russian annals since the Revolution. During at least a minute's truce, every man and woman of the Russian race-whether White or Red, whether Soviet citizen in the cities and fields of Russia, or émigré “going up and down another's stairs” in Paris or Tokio will be just a Russian once more, as he or ...
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Alexander Pushkin's View of Goethe

Comparative Literature, 1960
T HE PROBLEM of Alexander Pushkin's approach to Goethe, and the degree and nature of his dependence on Goethe for themes and inspiration, has been and continues to be debated by Russian literary scholars, and has not been altogether neglected by scholars in the West.l Non-Russian contributions, however, tend to slight the rich biographical materials ...
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Alexander Pushkin as a Romantic

2016
This chapter maintains that Pushkin’s artistic project illuminates a paradoxical convergence of nationalism and internationalism at the core of both European and Russian Romanticism: the period’s concurrent commitment, on the national as well as individual scale, to creative solipsismandto circuits of intellectual exchange opened up by the ...
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ALEXANDER PUSHKIN AND ARTISTS

АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН
А.С. Пушкина всегда привлекал мир художников. Он позировал В.А. Тропинину и О.А. Кипренскому, посвящал стихотворные строки К.П. Брюллову, А.О. Орловскому, Д. Доу, в «Евгении Онегине» упоминал «чудотворную кисть» Ф.П. Толстого. Посещая академические выставки, он живо откликался на новые произведения скульпторов А.В. Логановского и Н.С. Пименова, оставил
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