Results 11 to 20 of about 1,450,498 (201)
Slavica Revalensia, 2022 In these notes (see also the previous volume of Slavica Revalensia), Prof. Alexander Ospovat of UCLA identifies the sources of several segments of Alexander Pushkin’s novel _The Captain’s Daughter_, uncovers themes and events silently implied in the text
Alexander Ospovat
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Time at Home: The October Revolution and Soviet Temporalities
History, Volume 108, Issue 383, Page 528-555, December 2023., 2023 Abstract The October Revolution ushered in a radical, future‐orientated political agenda. Almost immediately, through the press, advice literature, activism and avant‐garde planning, a lively discourse on domestic life presented the home as a central site for building this ‘new epoch’. The home became the hub of a new and burgeoning Soviet temporality –
ANDY WILLIMOTT
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Lower‐Class Reading in Late Imperial Russia
The Russian Review, Volume 82, Issue 4, Page 649-667, October 2023., 2023 Abstract This article demonstrates widespread engagement of lower‐class people with the written word in the late nineteenth and early twentieth century Russian Empire, in rural and urban locales, in homes, workplaces, and social spaces. We explore how lower‐class people read: the daily habits, personal relationships, and social spaces that shaped ...
Sarah Badcock, Felix Cowan
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Power and the Aerial Sublime in Victor Pelevin
The Russian Review, Volume 82, Issue 4, Page 582-598, October 2023., 2023 Abstract This essay distinguishes flight as a salient trope throughout multiple Pelevin texts: Omon Ra (1992), Chapaev and the Void (1996), Generation P (1999), Empire V (2006), and Love for Three Zuckerbrins (2014). It examines flight through the aesthetics of the sublime—classical, (post)‐Soviet, and postmodern.
Sofya Khagi
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The generic originality of Iurii Tynianov's representation of Pushkin in the novels 'Pushkin' and 'The Gannibals' [PDF]
, 2011 This thesis is the first extensive study devoted to the generic originality of Iurii Tynianov’s representation of Pushkin in his two historical novels, Pushkin (1935-1943) and the abandoned The Gannibals (1932).
Rush, Anna
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Two Inscriptions on Books from Ivan N. Rozanov’s Russian Poetry Library [PDF]
Литературный фактThe paper deals with Tatiana G. Tsiavlovskaya’s autographs on two books which belong to Ivan N. Rozanov’s Russian Poetry Library (the Alexander Pushkin State Museum). Mstislav A. Tsiavlovskii and I. Rozanov met first in the mid-1910s. Then their creative
Elena A. Ponomareva
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Slavica Revalensia, 2016 The present article is aimed at explaining the pragmatics of Alexander Pushkin’s marginalia on the second volume of Opyty v stikhakh i proze (1817) by Konstantin Batyushkov.
Alexei Balakin
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A tribute to the memory of professor Alexander K. Popov
, 2022 Nanophotonics, Volume 11, Issue 21, Page 4603-4614, December 2022.
Gennady Tartakovsky +7 more
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The Subversion of Genre in the Late Elegies of Alexander Pushkin [PDF]
, 2021 This honors thesis is a close reading of the later elegies of Alexander Pushkin (from 1828-1831). Pushkin's elegies constitute an important intervention in the history of the genre - in which the elegies re-affirm life, as opposed to mourning it. Pushkin'
Wilson, Stuart
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Ритм и смысл стихотворения Пушкина «Буря» [Pushkin’s “Buria”: The Meaning of Rhythm]
Slavica Revalensia, 2021 This article addresses the meaning of the verse form of Alexander Pushkin’s poem “Buria” (1825). The poem’s monotonous rhythm corresponds to the theme of waves hitting the seashore and the rock in the same monotonous manner. The rhythmic structure of the
Sergei Dotsenko
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