Results 11 to 20 of about 1,465,201 (205)

The Koran in the Poetry of Alexander Pushkin and Ivan Bunin: Inspiration, Citation and Intertextuality [PDF]

open access: yesFolia Orientalia, 2018
The Koran became an inspiration to the Russian poet Alexander Pushkin (1799–1837), made obvious in many of his works, such as Imitations of the Koran, The Prophet, and In a Secret Cave.
Yousef Sh’hadeh
doaj   +2 more sources

Alexander Pushkin: A Life

open access: yes, 2021
This week Patrick and a panel of distinguished poets, writers, translators and literary scholars explore the life and intellectual legacy of Russian Poet, Novelist and Playwright Alexander Pushkin.
Basker, Michael   +6 more
core   +5 more sources

Poetry of Alexander Pushkin of the last decade of life as an expression of national identity. [PDF]

open access: yesДва века русской классики, 2020
The author of the article addresses the work of Alexander Pushkin in the last decade of his life, noting the particular completeness of the great writer’s worldview and the scale of his prophecies.
Vsevolod Yu. Troitsky
doaj   +1 more source

Из материалов для комментария к «Капитанской дочке»: 9–11 [Notes and Queries on _The Captain’s Daughter_ (9–11)]

open access: yesSlavica Revalensia, 2021
There are three sections in this article, all concerning The Captains Daughter (Kapitanskaia dochka, 1836) by Alexander Pushkin. The first section reconstructs the hidden yet crucial train of thought launched by the elder Grinev’s reading of The Court ...
Alexander Ospovat
doaj   +1 more source

Итальянские мотивы в поэме Пушкина «Анджело» [Italian Motifs in Pushkin’s Poem _Andzhelo_]

open access: yesSlavica Revalensia, 2021
Pushkin’s poem Andzhelo (1833) is based on the plot of Shakespeare’s Measure for Measure (1623). However, Pushkin changed the location from Vienna to “happy Italy,” and the article offers some explanations of the change. Besides the location and names of
Alexander Dolinin
doaj   +1 more source

Из материалов для комментария к «Капитанской дочке»: 12–25 [Notes and Queries on _The Captain’s Daughter_ (12—25)]

open access: yesSlavica Revalensia, 2022
In these notes (see also the previous volume of Slavica Revalensia), Prof. Alexander Ospovat of UCLA identifies the sources of several segments of Alexander Pushkin’s novel _The Captain’s Daughter_, uncovers themes and events silently implied in the text
Alexander Ospovat
doaj   +1 more source

Time at Home: The October Revolution and Soviet Temporalities

open access: yesHistory, Volume 108, Issue 383, Page 528-555, December 2023., 2023
Abstract The October Revolution ushered in a radical, future‐orientated political agenda. Almost immediately, through the press, advice literature, activism and avant‐garde planning, a lively discourse on domestic life presented the home as a central site for building this ‘new epoch’. The home became the hub of a new and burgeoning Soviet temporality –
ANDY WILLIMOTT
wiley   +1 more source

Lower‐Class Reading in Late Imperial Russia

open access: yesThe Russian Review, Volume 82, Issue 4, Page 649-667, October 2023., 2023
Abstract This article demonstrates widespread engagement of lower‐class people with the written word in the late nineteenth and early twentieth century Russian Empire, in rural and urban locales, in homes, workplaces, and social spaces. We explore how lower‐class people read: the daily habits, personal relationships, and social spaces that shaped ...
Sarah Badcock, Felix Cowan
wiley   +1 more source

Power and the Aerial Sublime in Victor Pelevin

open access: yesThe Russian Review, Volume 82, Issue 4, Page 582-598, October 2023., 2023
Abstract This essay distinguishes flight as a salient trope throughout multiple Pelevin texts: Omon Ra (1992), Chapaev and the Void (1996), Generation P (1999), Empire V (2006), and Love for Three Zuckerbrins (2014). It examines flight through the aesthetics of the sublime—classical, (post)‐Soviet, and postmodern.
Sofya Khagi
wiley   +1 more source

The generic originality of Iurii Tynianov's representation of Pushkin in the novels 'Pushkin' and 'The Gannibals' [PDF]

open access: yes, 2011
This thesis is the first extensive study devoted to the generic originality of Iurii Tynianov’s representation of Pushkin in his two historical novels, Pushkin (1935-1943) and the abandoned The Gannibals (1932).
Rush, Anna
core   +1 more source

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