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Algorithmic art: Technology, mathematics and art
ITI 2008 - 30th International Conference on Information Technology Interfaces, 2008This paper describes algorithmic art, i.e. visual art created on the basis of algorithms that completely describe generation of images. Algorithmic art is rooted in rational approach to art, technology and application of mathematics. It is based on computer technology and particularly on programming that make algorithmic art possible and that ...
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Proceedings of the seventh ACM conference on Creativity and cognition, 2009
Early algorithmic art (also called computer art or digital art) is chosen as a case to differentiate three aspects of creative behavior: trivial, personal, and historic creativity. Extending a remark by Marcel Duchamp on the role of the spectator in fully completing a work of art, one - perhaps controversial - position in the history of art of the 20th
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Early algorithmic art (also called computer art or digital art) is chosen as a case to differentiate three aspects of creative behavior: trivial, personal, and historic creativity. Extending a remark by Marcel Duchamp on the role of the spectator in fully completing a work of art, one - perhaps controversial - position in the history of art of the 20th
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Art or algorithm? - investigating empathic anticipation of art
2022Erwartung und Vorhersagen formen viele unserer Gedanken, Interaktionen und Alltagssituationen. Erwartung wird auch als Schlüsselfaktor um Kunst zu erleben verstanden, da Betrachter eine lohnende Erfahrung erwarten, was dann wiederum die Auseinandersetzung mit der Kunst beeinflusst.
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2017
Learning to use digital technologies in creative ways requires more than knowing how to use specific software programs. An important aspect of becoming creative with computers involves knowing how to manipulate computers—in other words, to program them. Programming, however, is rarely seen as a creative activity.
Punya Mishra, Danah Henriksen
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Learning to use digital technologies in creative ways requires more than knowing how to use specific software programs. An important aspect of becoming creative with computers involves knowing how to manipulate computers—in other words, to program them. Programming, however, is rarely seen as a creative activity.
Punya Mishra, Danah Henriksen
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Generalized ART algorithm for diffraction tomography
Inverse Problems, 1991The reconstruction problem in diffraction tomography is addressed for cases where noise-free scattering data are available for a limited number of view angles (discrete set of incident wave directions). The solution to the inverse problem (reconstruction problem) is obtained in the form of an iterative method known in the literature as Kaczmarz's ...
K T Ladas, A J Devaney
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Digital Circlism as Algorithmic Art
2013We present here an algorithmic solution to digital circlism, which is a contemporary rendition style in the media of digital art. The algorithmic artwork is processed within a few minutes by our algorithm, which makes it computationally attractive in comparison with its manual counterpart that requires tremendous diligence and apt craftsmanship ...
Sourav De, Partha Bhowmick
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Algorithmic Color Methods of Media Arts
Journal on Computing and Cultural Heritage, 2023The paper describes a framework for systematically exploring the RGB color model (RGB color cube) for generating color palettes based on six algorithmic methods divided into two categories: Primitive and Derivative. The Primitive method is comprised of the RGB Linear method, the RGB Planar method, and the RGB Cuboid method.
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A knowledge-driven ART clustering algorithm
2014 IEEE 5th International Conference on Software Engineering and Service Science, 2014In applications such as target detection, domain knowledge of sensed data is often available. In this paper, we incorporate the available domain knowledge into clustering process and develop a knowledge-driven Mahalanobis distance-based ART (adaptive resonance theory) clustering algorithm.
Zhaoyang Sun +7 more
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Algorithmic Fine Art: Composing a Visual Arts Score
2002I was born in the year of the great depression, 1929, in the coal fields of eastern United States. Sixty years ago, at the age of 12, I made my first painting using a paint set I bought from a Montgomery Ward catalogue. Later I worked my way through art school, then attended college and spent some years in monastic life.
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