Results 1 to 10 of about 691,295 (309)
Transparence auctoriale et postures pronominales dans The First Person and Other Stories de Ali Smith [PDF]
Études Britanniques Contemporaines, 2013 The First Person and Other Stories (2008), like many of Ali Smith’s titles, points to the whimsical quality of her writing. In her stories metatextual asides that dissolve the frontiers of fiction coexist with flickering pronouns in stories of ...
Michelle Ryan-Sautour
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Ali Smith interviewed by Caroline Smith [PDF]
, 2007 Inverness-born Ali Smith’s first collection, Free Love and Other Stories (1995) was awarded Saltire Society Scottish First Book Of The Year Award. Her short stories and novels including the Man Booker Prize nominated Hotel World (2001) and 2005 winner of the Whitbread The Accidental (2004) are known for their visceral language play and dynamic shifts ...
Smith, Caroline
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, 2018 Ali Smith is one of the most exuberant and Ovidian of contemporary writers, as was revealed particularly by her rewriting of the myth of Iphis and Ianthe in Girl Meets Boy. This chapter focuses on three of her later works—Artful, Public Library, and Autumn—where her reworking of Ovid becomes integral to her condemnation of recent government policies in
Lea, Daniel
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Covidian Metamorphoses: Art and the Poetics of Transformation in Ali Smith's Seasonal Quartet [PDF]
Acta Universitatis Sapientiae: Philologica, 2021 Ali Smith’s Autumn (2016), coined “the first Brexit novel”, relied on a very “time-sensitive” publication schedule: weeks after the manuscript had been submitted, the book was already published, documenting almost in real-time the aftermath of the ...
Zsófia Orosz-Réti
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ART, DEPTH AND AFFECT IN "WINTER": METAMODERNIST CONTEXTS OF ALI SMITH’S NOVEL
Studia Universitatis Babeş-Bolyai. Philologia, 2021 Art, Depth and Affect in Winter: Metamodernist Contexts of Ali Smith's Novel. The paper discusses Ali Smith’s Winter through the prism of the theory of metamodernism. The novel can be related to the works of authors who reject the cynical sophistication
Soňa ŠNIRCOVÁ
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How to Be Both: When Ali Smith Meets John Berger
Études Britanniques Contemporaines, 2023 In How to Be Both, Ali Smith follows John Berger’s philosophical and political conceptions of art. Understanding the world through ways of seeing may be a factor of change. Furthermore, Berger advocates the refusal of hierarchy, authority and binary ways
Liliane Louvel
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Aspects of melancholy in the novel "Autumn" by Ali Smith
Cuadernos de Investigación Filológica, 2020 Ali Smith is a great creator of melancholic atmospheres. In her novel Autumn we are submerged in the nostalgia of life by a hundred years old man, Daniel.
María Luisa Hernández García
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Not Dead Yet: Rescuing the Silent Voice of May Young in Ali Smith’s There but for the
Études Britanniques Contemporaines, 2021 In line with the rest of Ali Smith’s fiction, There but for the intimately binds the aesthetic and the political, as shown in particular by its imaginative articulation of what gets to be spoken or written and what does not. Silence and invisibility form
Pascale Tollance
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Constructing Reality: The Ways of Seeing in Ali Smith’s How to Be Both [PDF]
Cultural Intertexts, 2021 How to Be Both by Ali Smith, which centres around the concept of art and reality to a great extent, is an experimental novel that invites the reader to think through dualities, including life and death, artwork and human; and, significantly, from the ...
Dilara ÖNEN
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The Hapax of Mourning: Ali Smith’s Aesthetics of Exception in Artful (2012)
Études Britanniques Contemporaines, 2020 Ali Smith’s Artful innovatively mingles essay and fiction in a playful metatextual variation on Barthes’s ‘death of the author’. As a disruption of ordinary life, grief heralds a state of exception, aptly portrayed by the implosion of narrative ...
Héloïse Lecomte
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