Results 31 to 40 of about 234 (162)

Room Impulse Response Dataset of a Recording Studio with Variable Wall Paneling Measured Using a 32-Channel Spherical Microphone Array and a B-Format Microphone Array

open access: yesApplied Sciences
This paper introduces RSoANU, a dataset of real multichannel room impulse responses (RIRs) obtained in a recording studio. Compared to the current publicly available datasets, RSoANU distinguishes itself by featuring RIRs captured using both a 32-channel
Grace Chesworth   +2 more
doaj   +1 more source

Optimized Decoders for Mixed-Order Ambisonics

open access: yesCoRR, 2022
9 pages, 10 figures,
Aaron Heller   +2 more
openaire   +2 more sources

Method for spatial resolution enhancement of ambisonic audio based on sparse MDCT representation

open access: yesInformatika
Objectives. The problem of developing a method for spatial resolution enhancement of ambisonic audio which improves the efficiency of existing approaches to digital spatial sound representation is being solved.Methods.
Denis S. Likhachov   +2 more
doaj   +1 more source

Auditory Localization in Low-Bitrate Compressed Ambisonic Scenes

open access: yesApplied Sciences, 2019
The increasing popularity of Ambisonics as a spatial audio format for streaming services poses new challenges to existing audio coding techniques. Immersive audio delivered to mobile devices requires an efficient bitrate compression that does not affect ...
Tomasz Rudzki   +5 more
doaj   +1 more source

Low Frequency Sound Field Reproduction within a Cylindrical Cavity Using Higher Order Ambisonics [PDF]

open access: yesXibei Gongye Daxue Xuebao, 2018
Sound field reproduction of the aircraft and submarine within a cabin mock-up using a loudspeaker array is of great importance to the active noise control technology.The conventional method is to calculate the driving functions of the secondary sources ...

doaj   +1 more source

Assessing Spatial Audio: A Listener-Centric Case Study on Object-Based and Ambisonic Audio Processing

open access: yesArchives of Acoustics
The research explores the production and critical evaluation of two distinct mixes of “Dancing Ends”, a musical composition by Łukasz Pieprzyk. These mixes were engineered using two cutting-edge spatial sound technologies: Dolby Atmos and Ambisonics. The
Paweł MAŁECKI   +2 more
doaj   +1 more source

Improving Csound's Ambisonics decoders

open access: yes, 2019
This paper describes the efforts we devoted to improve Ambisonics decoders in Csound. Current version of the existing opcode, namely bformdec1, has some limitations that should be surpassed in order that the decoders better fulfill the Ambisonics criteria.
Zinemanas, Pablo   +2 more
openaire   +3 more sources

L3DAS23: Learning 3D Audio Sources for Audio-Visual Extended Reality

open access: yesIEEE Open Journal of Signal Processing
The primary goal of the L3DAS (Learning 3D Audio Sources) project is to stimulate and support collaborative research studies concerning machine learning techniques applied to 3D audio signal processing.
Riccardo F. Gramaccioni   +4 more
doaj   +1 more source

EigenScape: A Database of Spatial Acoustic Scene Recordings

open access: yesApplied Sciences, 2017
The classification of acoustic scenes and events is an emerging area of research in the field of machine listening. Most of the research conducted so far uses spectral features extracted from monaural or stereophonic audio rather than spatial features ...
Marc Ciufo Green, Damian Murphy
doaj   +1 more source

Reconstrucción de Atmósferas Sonoras Tridimensionales

open access: yesPublicaciones e Investigación, 2014
El propósito de este proyecto es la reconstrucción de atmósferas sonoras tridimensionales, por medio de la tecnología Ambisonics, implementando un sistema de captura Native B-Format, codificación de fuentes puntuales y el uso de algunos audios grabados ...
Jhosimar Aguacía Fisco   +1 more
doaj   +1 more source

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