Results 21 to 30 of about 248 (175)
Interaural Level Difference Optimization of Binaural Ambisonic Rendering
Ambisonics is a spatial audio technique appropriate for dynamic binaural rendering due to its sound field rotation and transformation capabilities, which has made it popular for virtual reality applications.
Thomas McKenzie +2 more
doaj +1 more source
Low-Order Spherical Harmonic HRTF Restoration Using a Neural Network Approach
Spherical harmonic (SH) interpolation is a commonly used method to spatially up-sample sparse head related transfer function (HRTF) datasets to denser HRTF datasets.
Benjamin Tsui +2 more
doaj +1 more source
Measuring the Acoustical Properties of the BBC Maida Vale Recording Studios for Virtual Reality
In this paper we present a complete acoustic survey of the British Broadcasting Corporation Maida Vale recording studios. The paper outlines a fast room acoustic measurement framework for capture of spatial impulse response measurements for use in three ...
Gavin Kearney +8 more
doaj +1 more source
Ambisonic Coding with Spatial Image Correction [PDF]
We present a new method to enhance multi-mono coding of ambisonic audio signals. In multi-mono coding, each component is represented independently by a mono core codec, this may introduce strong spatial artifacts. The proposed method is based on the correction of spatial images derived from the sound-field power map of original and coded ambisonic ...
Pierre Mahé +3 more
openaire +1 more source
Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
This paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory ...
Tin Oberman +3 more
doaj +1 more source
Space is an important aspect of music composition that received little emphasis in certain periods of the history of Western music. However, in the twentieth century, electroacoustic music reintroduced this element by utilizing the different ...
Danilo Rossetti, Jônatas Manzolli
doaj +1 more source
Ambisonic Decoding for Compensated Amplitude Panning [PDF]
Compensated amplitude panning (CAP) is a spatial audio reproduction method for loudspeakers that takes the listener head orientation into account. It can produce stable images in any direction using only two loudspeakers. In its original form, CAP is inherently an object-based method, with each image produced separately.
Dylan Menzies, Filippo Maria Fazi
openaire +2 more sources
Diffuse-Field Equalisation of Binaural Ambisonic Rendering
Ambisonics has enjoyed a recent resurgence in popularity due to virtual reality applications. Low order Ambisonic reproduction is inherently inaccurate at high frequencies, which causes poor timbre and height localisation. Diffuse-Field Equalisation (DFE)
Thomas McKenzie +2 more
doaj +1 more source
This article discusses “Exposing the Invisible: A Brain-driven Audiovisual Walk”, an audiovisual installation that was part of the Digital Media Studio Project entitled Invisible Cities.
Adrian Barahona Rios +3 more
doaj +1 more source
Cooperative music making in networked environments has been subject of extensive research, scientific and artistic. Networked music performance (NMP) is attracting renewed interest thanks to the growing availability of effective technology and tools for computer‐based communications, especially in the area of distance and blended learning applications.
Stefano Delle Monache +8 more
wiley +1 more source

