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“You Can Really Make the Story Your Own”: Taking Back Candyman
Humanities, 2023 This essay offers a comparative analysis of Bernard Rose’s 1992 Candyman and its 2021 sequel directed by Nia DaCosta. Through an intertextual approach informed by gothic studies, narratology, and critical race theory, the essay shows how DaCosta’s film ...
Marco Petrelli
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« Get him Grandpa » : féminité et blanchité dans Get Out de Jordan Peele (2017)
Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2022 This paper examines the way Get Out (2017), Jordan Peele’s directorial debut, considers white femininity through the Rose and Missy Armitage characters.
Hélène Charlery
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The urban soundscape in sci-fi cinema
Urbis et Orbis: Mikroistoriâ i Semiotika Goroda, 2022 This topic of the city has attracted sustained interest in film studies. However, when discussing the soundtrack of contemporary films, the specifics of urban soundscape representation in such genres as horror and science fiction, in which exactly the ...
Alejandro Contreras Koob +1 more
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POST-APOCALYPTIC SURROGATE IDEOLOGY: BIOPOLITICS OF CYBERSPACE: IN A HOLLYWOOD HORROR MOVIE
Векторы благополучия: экономика и социум, 2021 Relevance. The expansion of scientific and technical inventions into official and everyday environments creates a new subject field for socio-humanitarian reflection.
Andrey G. Nekita +2 more
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Gothic Matters: Introduction [PDF]
, 2016 Once considered escapist or closely linked to fantasy, the Gothic genre (or mode, as scholars increasingly call it) has recently begun to be explored for its material concerns and engagement with real-world matters.
Monnet, Agnieszka Soltysik
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The Pure Moment of Murder: The Symbolic Function of Bodily Interactions in Horror Film [PDF]
, 2011 Both the slasher movie and its more recent counterpart the "torture porn" film centralize graphic depictions of violence. This article inspects the nature of these portrayals by examining a motif commonly found in the cinema of homicide, dubbed here the "
Jones, Steve
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Imaginations: Journal of Cross-Cultural Media Studies, 2016 Hans Weingartner’s Die Fetten Jahre Sind Vorbei, also known by its American title The Edukators, explores the relationship of a young anti-capitalist activist, Jan, with his own friends, the bourgeousie he opposes, and himself. Jan and his friends engage
R. Eric Johnson
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The study of Gotic-literary contents within two novels: "Sane-al-Zalam" and "Negahban [PDF]
ادبیات تطبیقی, 2023 Introduction The genre of horror stories under the title of Gothic fiction, by combining scary themes and images, creates a style of story whose basic features are horror and fear. The content of this story style is made up of many scary themes that have
Saeede Vahabi +2 more
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Les remakes comme témoins de la poétique du cinéma d’horreur hollywoodien contemporain
Mise au Point, 2018 This articles focuses on the recent cycle of Hollywood remakes of American horror movies of the 1970s-1980s. Comparative analysis reveals the extent to which the big budget remakes of the 2000s testify to a homogenization of contemporary Hollywood horror
David Roche
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“A malignant, seething hatework”: an introduction to U.S. 21st century hardcore horror [PDF]
, 2001 The proliferation of U.S. horror films in the 21 st century has engendered an increase in critical and academic response which has almost exclusively focused on the conventions of mainstream horror cinema.
Aston, James
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