Results 21 to 30 of about 120,361 (217)

Sonic Stereotypes: Jazz and Racial Signification in American Film and Television Soundtracks

open access: yesNota Bene, 2015
This paper examines the use of jazz in contemporary American film and television soundtracks. Through processes of cultural signification, jazz music frequently maps racialized meaning onto the narrative. Often, a “black” jazz aesthetic signifies social
Kyle Jackson
doaj   +1 more source

Visual extreme, permeated with the smell of fear and “gunpower”: bloody battles of the elite and the mass in american horror movies / Визуальный экстрим, пропахший страхом и порохом: кровавые баталии элиты и массы в американских фильмах ужасов

open access: yesИндустрии впечатлений: Технологии социокультурных исследований, 2023
Communication between the elite and the masses in the context of modern culture over time acquires a rather specific and atypical character. Instead of the usual system of coercion in its diverse forms, in modern institutional, socio-political discourse,
Sergey Malenko / Сергей Анатольевич Маленко   +1 more
doaj   +1 more source

HORROR FILMS IN UNCONSCIOUS ANTHROPOLOGICAL STRATEGIES OF BIOPOWER

open access: yesAntropologìčnì Vimìri Fìlosofsʹkih Doslìdžen', 2018
Purpose. The article is devoted to horror films as forms of anthropological crisis in mass culture, which generate specific meanings and are presented in ways of control over consumer society, as well as act as unconscious ideological mediators of ...
S. A. Malenko, A. G. Nekita
doaj   +1 more source

‘Wheels of Tragedy’: Death on the Highways in Carnival of Souls (1962) and the Highway Safety Film

open access: yesForum, 2017
This article argues that Carnival of Souls (1962), is a foundational text in the ‘Highway Horror’ sub- genre. It directly confronts one of the most pervasive taboos in modern American life: the horrific death toll associated with mass automobility.
Bernice M. Murphy
doaj   +3 more sources

Gender in Post-9/11 American apocalyptic TV: Representations of Masculinity and Femininity at the End of the World, by Eve Bennett

open access: yesAlphaville: Journal of Film and Screen Media, 2019
Eve Bennett begins her new book, Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity and Femininity at the End of the World, by describing the apocalyptic aftermath of a suicide bombing in Heroes Reborn (2015).
Martin Fradley
doaj   +1 more source

Spectacles of shame: Ryan Murphy as curator of queer cultural memory [PDF]

open access: yesZbornik Radova Filozofskog Fakulteta u Prištini, 2017
In the anthology Queer Shame, edited by David M. Halperin and Valerie Traub, 'the personal and the social shame attached to eroticism' is taken to task in relation to the larger contemporary discourse surrounding gay pride (understood in terms of ...
Stepić Nikola N.
doaj   +1 more source

Monsters on MTV: Adaptation and the Gothic Music Video

open access: yesHumanities, 2023
Music videos of the MTV era often use gothic visual signifiers as decorative elements or creative expressions of the musician’s star persona or latest record.
Drago Momcilovic
doaj   +1 more source

Encountering violence: terrorism and horrorism in war and citizenship [PDF]

open access: yes, 2014
This article introduces Adriana Cavarero's concept of “horrorism” into International Relations (IR) discussions of the relationship between war and citizenship.
Bennett   +21 more
core   +1 more source

The Crane Perspective. The Crisis of Female Identity in Hitchcock’s Psycho

open access: yesFeminismo/s, 2016
Taking as a starting point reading built around this famous film of the modern horror film, this analysis suggests an overall reading of his discourse about the woman.
Laura Antón
doaj   +1 more source

Dealing with the Uncanny? Cultural Adaptation in Matt Reeves’s Vampire Movie Let Me In

open access: yesAmerican Studies in Scandinavia, 2016
The aim of this article is to examine cultural adaptation and uncanny potential in Matt Reeves’s vampire movie Let Me In (2010), which is an adaptation of John Ajvide Lindqvist’s vampire novel Låt den rätte komma in (2004) – in English translation, Let ...
Maria Holmgren Troy
doaj   +1 more source

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