Results 71 to 80 of about 120,361 (217)
The Death of Death: A Memorial Retrospective on George A. Romero (1940-2017) [PDF]
Monstrum, 2018 It has been almost ten years since George A. Romero made Survival of the Dead, the final film in his series of living dead films, and now his final film.
Stacey Abbott +12 more
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Film-Reinduced Tourism. The Hatfield-McCoy Feud Case
Almatourism, 2015 In places like those of the Hatfield and McCoy feud, where blood, legend, myth and film-making have shaped images over the years, tourists come visiting with a state of mind that searches for answers to several sensorial stirrings, mostly visual.
Simone Betti
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'A hatred so intense…' 'We need to talk about Kevin', postfeminism and women’s cinema [PDF]
, 2013 No description ...
Thornham, Sue
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The Journal of Creative Behavior, Volume 60, Issue 1, March 2026.ABSTRACT The media we consume may shape our cognition, emotion, and behavior. While violent media effects on aggression have been studied extensively, one popular media genre has escaped scrutiny until now: true crime, featuring real stories of assault, murder, or serial killings.
Corinna M. Perchtold‐Stefan +5 more
wiley +1 more source
Art for the Apocalypse: Sculpture by Frink in Losey’s The Damned
Aniki: Revista Portuguesa da Imagem em Movimento, 2014 Blacklisted and exiled, American director Joseph Losey finished The Damned in England in 1961 but Hammer Films did not release it until 1963 (then with severe cuts) and it wasn’t seen until 1965 in the U.S., further changed and retitled These Are the ...
Susan Felleman
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Found-Footage Horror and the Frame's Undoing [PDF]
, 2016 This essay finds in the found-footage horror cycle an alternative way of understanding the relationship between horror films and reality, which is usually discussed in terms of allegory.
Sayad, Cecilia
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Secuencias, 2016 Drácula y El doctor Frankenstein inauguraron en 1931 la producción de cine de terror en el cine sonoro al presentar a dos de los iconos por excelencia del género.
Roberto Cueto
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The Psychos Are Coming, the Psychos Are Coming … They’re Already Here
Voices in Bioethics, 2016 American director Steven Soderbergh’s Contagion wastes no time in laying out the context of his film on the contemporary interconnectedness of the earth’s inhabitants and the concomitant susceptibility to catastrophe that such relationships imply ...
Edmund Weisberg
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Howling (and Bleeding) at the Moon: Menstruation, Monstrosity and the Double in the \u3ci\u3eGinger Snaps\u3c/i\u3e Werewolf Trilogy [PDF]
, 2008 In this essay, I explore the radical reframing of the traditional werewolf narrative with respect to the figure of the double and the abject female body in the Ginger Snaps werewolf trilogy. Notable theorists discussed herein include Barbara Creed, Carol
Flaherty, Erin M.
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Fighting a War You\u27ve Already Lost: Zombies and Zombis in \u3cem\u3eFirefly/Serenity\u3c/em\u3e and \u3cem\u3eDollhouse\u3c/em\u3e [PDF]
, 2011 This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10).
Canavan, Gerry
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