Results 11 to 20 of about 12,205,609 (311)

The first translations of Harlem renaissance poetry in Slovenia

Acta Neophilologica, 2008
From the present-day perspective Harlem Renaissance poetry represents an epoch-making contribution by America's black authors to the mainstream literature.
Jerneja Petrič
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American poetry: the divided tradition

Revista Alicantina de Estudios Ingleses, 1990
What is American poetry? This paper is a history of the various answers poets have given to that question. They include Whitman's creation of a new form for poetry, one to replace those inherited from England.
Dolan, Paul
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‘A FONDNESS FOR BEING SAD’: SOME PORTUGUESE SOURCES FOR ELIZABETH BARRETT BROWNING’S POETICS OF MELANCHOLY IN SONNETS FROM THE PORTUGUESE (1850)

Diacrítica, 2018
In seeing melancholy as the antithesis of poetic creativity, the Victorians often broke with the traditional Renaissance and Romantic attitudes of equating melancholy moods with artistic or poetic genius.
Paula Guimarães
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Russian and American Poetry: Towards New Language Abilities [PDF]

Литература двух Америк
The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei
Alexander M. Ulanov
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A Global Perspective on Performance Poetry: Through the Web – From American Performance to Romanian Poetic Practices

Romanian Journal of English Studies, 2023
American Performance poetry influenced the way in which the practice developed in other countries. Contemporary African, Japanese, and Arab poets started to write more and more for the stage.
Higyed Alexandru
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Problems in Translating Musical Elements in African American Poetry after 1950

ELOPE, 2009
In most cases, African American poetry eschews traditional literary norms. Contemporary African American poets tend to ignore grammatical rules, use unusual typography on many occasions, include much of their cultural heritage in their poetry, and ...
Kristina Kočan
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‘The Dream of the Unified Field’: Originality, Influence, the Idea of a National Literature and Contemporary American Poetry

European Journal of American Studies, 2008
This paper collates two critical ideas about American poetry: originality and influence. Under the precept of the former, poets and critics call for – and on occasion celebrate – an originally American, more or less coherent national poetry, while the ...
Ruediger Heinze
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The Cambridge Companion to Twenty-First-Century American Poetry. Edited by Timothy Yu (Cambridge: Cambridge University Press, 2021), xix, 246pp.

Journal of the Austrian Association for American Studies, 2021
Nassim Balestrini reviews Timothy Yu's Cambridge Companion to Twenty-First-Century American Poetry (Cambridge University Press, 2021).
Nassim Balestrini
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The possibilities of verse translation: the reception of American poetry in Slovenia between the two wars

Acta Neophilologica, 1988
Contemporary American poetry was more or less terra incognita in Slovenia throughout the first half of the 20th century. The thesis question, then, is why are there so few translations of American poetry into Slovene in the discussed period between the ...
Igor Maver
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Transcendentalism, Network Concepts and American Poetry

Дискурс, 2020
Introduction. The paper aims at describing the philosophy of transcendentalism as viewed by 19th century American philosopher Ralph Emerson, one of its founders and, above all, the direct application of this framework to the contemporary view of network ...
N. F. Shcherbak, A. I. Gerus
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