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You Only Live Twice: Reusing Late Roman Amphorae in Saqqara (New Kingdom Necropolis)
Valentina Gasperini
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The italic ovoid amphorae in the Toulouse area at the end of the Iron Age (Midi-Pyrénées, France)
, 2015 Laurence Benquet, Claudio Capelli
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Fatty Acids and Starch Identification within Minute Archaeological Fragments: Qualitative Investigation for Assessing Feasibility. [PDF]
FoodsOrdoñez-Araque R +7 more
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2021
Roman amphorae produced in Lusitania were usually considered as fish product containers since amphora kilns were mainly known on the coast where they co-existed with fish-salting workshops, and the rare tituli picti known confirmed this assumption. Over the past 25 years the progress in research has brought up new issues: the contents of two flat-base ...
Pinto, Inês Vaz +4 more
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Roman amphorae produced in Lusitania were usually considered as fish product containers since amphora kilns were mainly known on the coast where they co-existed with fish-salting workshops, and the rare tituli picti known confirmed this assumption. Over the past 25 years the progress in research has brought up new issues: the contents of two flat-base ...
Pinto, Inês Vaz +4 more
openaire +2 more sources
amphorae and amphora stamps, Greek
2015Transport amphorae, used throughout the ancient Mediterranean world, were plain clay vessels with two handles, used for the transportation and storage of wine, olive oil, and many other commodities. The specific shapes of the jars varied over time and from region to region, so they can be identified with some degree of accuracy today.
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Mélanges de l'École française de Rome. Antiquité, 2004
«Texts » on amphorae of the archaic to early classical period appear in various media, on different parts of the jar and on a range of amphora types. Therein distinct patterns of usage are few, but some may be noted, such as «long » texts on SOS and à la brosse jars, underfoot marks on North Greek, and pre-firing ones on Samian.
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«Texts » on amphorae of the archaic to early classical period appear in various media, on different parts of the jar and on a range of amphora types. Therein distinct patterns of usage are few, but some may be noted, such as «long » texts on SOS and à la brosse jars, underfoot marks on North Greek, and pre-firing ones on Samian.
openaire +2 more sources