Results 41 to 50 of about 3,205 (270)

Estrategias discursivas en la ideación de un proyecto artístico a partir de la biografía y la obra de Rachel Ruysch / Discursive Strategies in The Ideation of an Artistic Project Based on the Biography and the Work of Rachel Ruysch

open access: yesAsparkía, 2019
Resumen En el presente artículo trataremos de recuperar la figura de Rachel Ruysch (La Haya, 1664 - Ámsterdam, 1750) y su legado. Rastrearemos datos historiográficos de su vida y su obra, partiendo del análisis del cuadro del pintor holandés Jan van ...
LORENA AMORÓS BLASCO
doaj   +1 more source

Třetí oko historika/historičky umění

open access: yesActa Universitatis Carolinae: Philosophica et Historica, 2020
The third eye of an art historian is the issue of intuition as a tool for the anachronistic methodology of art history. In this paper, by calling the anachronistic perspective on art history a method, I would like to point to the original meaning of the ...
Eva Skopalová
doaj   +1 more source

Loanwords and Linguistic Phylogenetics: *pelek̑u‐ ‘axe’ and *(H)a(i̯)g̑‐ ‘goat’1

open access: yesTransactions of the Philological Society, Volume 123, Issue 1, Page 116-136, March 2025.
Abstract This paper assesses the role of borrowings in two different approaches to linguistic phylogenetics: Traditional qualitative analyses of lexemes, and quantitative computational analysis of cognacy. It problematises the assumption that loanwords can be excluded altogether from datasets of lexical cognacy.
Simon Poulsen
wiley   +1 more source

Anagronism of Topoi and Atopoi in the Works of Jasmina Musabegović

open access: yesDruštvene i Humanističke Studije
Few female authors have managed to bring about a gynocritical habitus of recognition like that of Jasmina Musabegović. A woman as a scholar, writer, and interpreter – both in the context of literary criticism and the literary text itself – would be just ...
Šeherzada Džafić
doaj   +1 more source

Was Einhard a widower?

open access: yesGender &History, EarlyView.
Abstract The ‘widow’ is a gendered, socially contingent category. Women who experienced spousal bereavement in the early middle ages faced various socio‐economic and legal ramifications; the ‘widow’ was further a rhetorical figure with a defined emotional register. The widower is, by contrast, an anachronistic category.
Ingrid Rembold
wiley   +1 more source

Anachronisme et interprétation : l’historiographie de Jean Jacques Lequeu

open access: yesPerspective, 2018
Jean Jacques Lequeu (1757-1826), an architect and draughtsman unknown to his contemporaries, owes his rediscovery in the mid-twentieth century to his graphic work.
Laurent Baridon   +2 more
doaj   +1 more source

The Basics of Development of the Iranian’s Social - Political Identity in Safavid Era; from Developing Identity to Anachronism [PDF]

open access: yesتاریخ اسلام, 2018
Simultaneous with the rise of Safavid dynasty, a new foundation was provided toward the development of political-social identity of the Iranian. The basics of Safavid conduct was a mixture of mystic beliefs, Shiite discriminations, Iranshahri thoughts as
Amir rezaeipanah
doaj   +1 more source

‘Expression is power’: Gender, residual culture and political aspiration at the Cumnock School of Oratory, 1870–1900

open access: yesGender &History, EarlyView.
Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley   +1 more source

Nichtchristen in der Geschichte des kanonischen Rechts [PDF]

open access: yesRechtsgeschichte - Legal History, 2018
The article deals with the question of how non-Christians were represented in premodern Canon law, under which aspects historical research (especially as regards the history of Canon law) has dealt with them so far and how or on under what conditions did
Christoph H. F. Meyer
doaj   +1 more source

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

open access: yesGender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source

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