Results 171 to 180 of about 3,727 (221)
Some of the next articles are maybe not open access.
Journal of Mathematics and the Arts, 2009
The history and description of the channel anamorphosis is briefly discussed along with several possible distortions of the observed image. The amelioration of these distortions as well as the mathematical methods to construct ‘exact’ anamorphoses which are distortion-free at finite viewing distances are discussed.
exaly +2 more sources
The history and description of the channel anamorphosis is briefly discussed along with several possible distortions of the observed image. The amelioration of these distortions as well as the mathematical methods to construct ‘exact’ anamorphoses which are distortion-free at finite viewing distances are discussed.
exaly +2 more sources
Digital Humanities as Anamorphosis
Exemplaria, 2019This article theorizes the digital humanities (DH) as a speculative art via a media history of anamorphosis.
exaly +2 more sources
The Mathematical Gazette, 1992
If you visit the Manchester Museum of Science and Technology take a look at the sculpture in front of the museum. There are two large stainless steel objects, a sphere and an inverted cone. On the ground around the cone are variously shaped patterns of black and brown.
openaire +1 more source
If you visit the Manchester Museum of Science and Technology take a look at the sculpture in front of the museum. There are two large stainless steel objects, a sphere and an inverted cone. On the ground around the cone are variously shaped patterns of black and brown.
openaire +1 more source
2019
Abstract This chapter considers how the work of various modernists associated with Bloomsbury during the interwar years—E. M. Forster, Virginia Woolf, Nancy Cunard—engaged with antipodal dimensions that effectively disturbed normative spatiotemporal representation within their narratives.
openaire +1 more source
Abstract This chapter considers how the work of various modernists associated with Bloomsbury during the interwar years—E. M. Forster, Virginia Woolf, Nancy Cunard—engaged with antipodal dimensions that effectively disturbed normative spatiotemporal representation within their narratives.
openaire +1 more source
, 2007 In this paper we define the concept of dynamic anamorphosis. A classical or static anamorphic image requires a specific, usually a highly oblique view direction, from which the observer can see the anamorphosis in its correct form. This paper introduces dynamic anamorphosis which adapts itself to the changing position of the observer so that wherever ...
Solina, Franc, Batagelj, Borut
openaire
Optics and Spectroscopy, 2000
An analytic relationship between the distortion and the anamorphosis of an anamorphic objective is derived.
openaire +1 more source
An analytic relationship between the distortion and the anamorphosis of an anamorphic objective is derived.
openaire +1 more source
Anamorphosis and Subjectivity in the Space of Reasons
Philosophy Today, 2020Jacques Lacan comments repeatedly on anamorphic art as it exemplifies for him how the mind from a certain angle perceives through law-like patterns the world that would otherwise be nothing but a chaos of arbitrary multiplicities. The angle, though, has a certain effect on what is perceived; an effect that, as such, cannot be perceived within the realm
openaire +1 more source
Secondary Virtuality, the Anamorphosis of Projective Geometry
Architecture and Culture, 2020It is tempting to construct theory about the Other using binary oppositions. Lacanian psychoanalysis avoids this by stressing the geometry of the Borromeo knot, whose three rings embody both sequen...
openaire +1 more source
Harmony, Anamorphosis and the “Conceptual Scheme”
Romanic Review, 2005Une tache floue a l'horizon de la pensee Terence Cave I In the opening chapter of his early study, Renaissance Self-Fashioning (1980), Steven Greenblatt included a now famous excursus on the subject of Hans Holbein's double portrait, The Ambassadors (1533), and the optical technique of anamorphosis. Hans Holbein's well known painting depicts two French
openaire +1 more source