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The Influence of Early Islamic Stucco Work in Iran on Anatolian Seljuk Art
In this article, I want to dwell on the reflections of Abbasid stucco work on Anatolian Seljuk Art by way of Iranian Seljuk art. The origin dates back to Abbasid stucco works with stylized plant motifs from gth century Samarra, classified by Herzfeld as Group I and II.
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Making two broken ceramic works with siren/harpy depictions in Konya Karatay Madrasah Tile Works Museum known and determining the special status of these artworks among the medieval Anatolian fantastic figures are the subjects of this study.
Yurdagül ÖZDEMİR
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The khachkars, peculiar to Armenians, have a significant place in Byzantine art. The khachkars, which can be seen since the 4th century and are still produced today, have many functions.
Ayşe Aydın
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Reflections of Seljuk Bookbinding Style on the 15th Century Ottoman Bindings (Examples of Çorum Hasan Pasha Manuscript Library) Abstract Binding is the general name of the book covers, which both have protective qualities and give aesthetic pleasure to ...
Fatma Şeyma Boydak
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Bookbindings Bearing the Signature of Mehmed al-Sharīf and Their Decorative Characteristics
Bookbinding is a covering, usually made of leather-encased cardboard, for holding book pages or various magazines together, and the person who performs this art is called a bookbinder.
Fatma Şeyma Boydak
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The glazed and unglazed ceramics produced in Anatolia from the Neolithic period to the present day have a close relationship with the periods that preceded or followed them. The ceramics of the Anatolian Seljuk period are significant works that developed
Sevcan Ölçer
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ELEMENTS FROM ANCIENT CIVILIZATIONS IN ANATOLIAN SELJUK ART
Seljuks who came across Byzantine, Greek, Roman and Armcnian culturcs in Anatolia developed an original, many-sided and rich arclîitectural style of their own which, although mainly influenced by Islamic art and Central Asian tradition, nevcrthcless contains clements of earlier Anatolian civilizations, notably Roman and Byzan tine arts.
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Konya Karatay Madrasah has an important place among the Anatolian Seljuk period buildings in terms of its tiles, geometric decorations and the variety of inscriptions.
Berrin Yapar Ünal +2 more
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“STRANDED ON THE SHORES OF HISTORY”? MONUMENTS AND (ART‐)HISTORICAL AWARENESS
ABSTRACT Can past agents deliberately influence our historical awareness by designing objects’ appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of the “monumentalists” are destined to fail: no monument can keep a legacy ...
Jakub Stejskal
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Coins of Ghiyath al-Din Kaykhusraw II Period in Bursa Archeology Museum
Ghiyath al-Din Kaykhusraw II ascended to the throne of the Anatolian Seljuk State at a young age after the death of his father, Ala al-Din Kayqubad I. During this period, the state, at its peak, entered into a process of collapse due to the Baba Ishak ...
Abdül Halim Varol
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