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The Genealogy of Ancient Comedy in the Representation of Olga Mikhailovna Freidenberg (Russian Translation)

open access: yesГалактика медиа: журнал медиа исследований, 2021
The article discusses the concept of genealogy and the cultural significance of the ancient comedy in the view of O. M. Freidenberg. For Freidenberg, the ancient comedy was a form of metaphorization of reality. The metaphor, like the symbol in Cassirer's
Arkadiusz Bednarczuk   +1 more
doaj   +1 more source

Παρρησία and Comedy, a Nonsense Link in the Classical Period

open access: yesGaia, 2021
The expression comic parrhesia is common in the scholarly literature, and the notion that the word παρρησία in ancient Greek may denote comedy’s freedom of speech is almost commonplace, and taken for granted.
Xavier Riu
doaj   +1 more source

La mandragore, non seulement un analgesique narcotique: sa place dans la medecine et la civilisation grecque antique [PDF]

open access: yesArchives of the Balkan Medical Union, 2018
The mandrake, not just a narcotic: its place in medicine and ancient greek civilization Hippocrates and his followers, as well as Pedanius Dioscorides, Pseudo-Galen and Aretaeus of Cappadocia are just a few of the many ancient Greek physicians who ...
Konstantinos LAIOS   +4 more
doaj   +1 more source

HUMOR Y VIOLENCIA FÍSICA: ANTECEDENTES DEL SLAPSTICK EN LA LITERATURA GRIEGA ANTIGUA

open access: yesPerífrasis. Revista de Literatura, Teoría y Crítica, 2021
La violencia física de carácter cómico registra antecedentes en distintos géneros de la literatura griega antigua. La crítica ha asociado los orígenes del slapstick con la farsa popular, pero el recurso puede remontarse a la épica y rastrearse en la ...
Jimena Schere
doaj   +1 more source

Pratique de l’interprétation, pratique de la traduction : le cas de la Comédie Ancienne et l’exemple des « noms parlants »

open access: yesMethodos, 2013
The author studies an example of the links between interpretation and translation, the ancient comedy of Aristophanes. The first part sets out the main problems of translation, some of its theories and constant obstacles, before focusing attention on the
Anne de Cremoux
doaj   +1 more source

Il recupero della dimensione performativa per un'adeguata comprensione delle commedie plautine. L'esempio di Pseudolus 1246-1284

open access: yesMantichora, 2020
Assuming the performative dimension as the key to an adequate understanding of Plautus comedies, this paper studies a grammar of the ancient dramatic technique through the performances of the slave Pseudolus, in the same comedy. With this character, that
Chiara Felici
doaj   +1 more source

Gwałt na scenie (przypadek Terencjusza)

open access: yesPrzekładaniec, 2023
Rape on Stage (the Case of Terence) In four of his six comedies the Roman playwright Terence uses rape as the key element of intrigue which in the plot of his plays leads to marriage and a happy ...
Ewa Skwara
doaj   +1 more source

New Comedy and Roman Comedy: With and Without Menander

open access: yesthersites. Journal for Transcultural Presences & Diachronic Identities from Antiquity to Date, 2015
ENGLISH As the only surviving representative of New Comedy, Menander offers an interesting case-study of how ancient perceptions of genre definition, qualification and categorization may be subjected to ongoing renegotiation, but also how this ever ...
Sophia Papaioannou
doaj   +1 more source

UN GIALLO ITALIANO ALL’ORIGINE DELLA RIPRESA DEL CULTO DANTESCO [PDF]

open access: yesSinestesieonline, 2018
In the essay, the author conducts an intertextual inquiry that highlights the terms of the ‘dialogue’ between ancient and modern, in which Dante’s Comedy invariably returns a source the source, always alive and current, to which Giulio Leoni draws ...
Anna Maria Cotugno
doaj   +1 more source

Old Comedy, Public Intellectuals and the Origins of Dissent Communication: The Case of Aristophanes

open access: yesGerión, 2019
The purpose of this article is to explore the emergence of a strategic communication management of dissent (the so called dissent public relations) and to set its beginnings in the context of ancient Greek comedy represented by Aristophanes. Indeed, Old
Jordi Xifra
doaj   +1 more source

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