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Delta-band audience brain synchrony tracks engagement with live and recorded dance. [PDF]
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Ancient receptions of Euripides in comedy : the Phoenissae of Euripides, Aristophanes and Strattis. [PDF]
, 2018 openaire
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2013
This collection provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Looking first at Athenian comic poets and comedy in the Roman Empire, the volume goes on to discuss Greco-Roman comedy's reception throughout the ages.
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This collection provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Looking first at Athenian comic poets and comedy in the Roman Empire, the volume goes on to discuss Greco-Roman comedy's reception throughout the ages.
exaly +2 more sources
Humor, 2014
AbstractFew theoretical statements about comic drama and fiction can match the influence of Northrop Frye's essay, “Mythos of Spring: Comedy.” Particularly for scholars interested not only in classic comic literary forms such as stage comedy, but also in the popular forms of contemporary films as well as television sitcoms, Frye's theory continues to ...
James E Caron
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AbstractFew theoretical statements about comic drama and fiction can match the influence of Northrop Frye's essay, “Mythos of Spring: Comedy.” Particularly for scholars interested not only in classic comic literary forms such as stage comedy, but also in the popular forms of contemporary films as well as television sitcoms, Frye's theory continues to ...
James E Caron
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Laughter, Humor, and Comedy in Ancient Philosophy
2019Abstract Ancient philosophers were very interested in the themes of laughter, humor, and comedy. They theorized about laughter and its causes, moralized about the appropriate uses of humor and what it is appropriate to laugh at, and wrote treatises on comedic composition.
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Disrupting illusion in ancient Greek comedy: a cognitive perspective
Bulletin of the Institute of Classical StudiesABSTRACT This paper applies a modern, cognitive model, the conceptual blending theory, to ancient Greek comic fragments, with the aim of shedding light on the relationships between actor and audience. The theory maintains that spectators blend an actor and his character into one new concept of identity during a performance.
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