Results 11 to 20 of about 84 (60)
Wygnani z raju - analiza toposu domu w filmach Andrieja Zwiagincewa [PDF]
, 2023 The topos of ‘home’ is one of the most important motifs in Andrey Zvyagintsev’s films. The director perceives ‘home’ as a material and symbolic term. It applies to the place where a family lives and to the house of God.
Tes, Urszula
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Siergiej Paradżanow – reżyser kina ukraińskiego [PDF]
, 2023 The article presents the films Sergei Parajanov made at the Kiev studio between 1955–1962: Andriesh, The First Lad, Ukrainian Rhapsody, Flower on the Stone and documentaries: Dumka, Golden Hands, Natalya Ushvij.
Wojnicka, Joanna
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Tęsknota za ideałem. Rola dzieci w filmach i filozofii twórczej Andrieja Tarkowskiego [PDF]
, 2020 The topic of the article is the role of child characters in Andrei Tarkovsky’s oeuvre. The first part concerns the early films in which children appear as main characters and represent a spiritual ideal.
Sławnikowski , Wojciech
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, 2015 Tarkowski in ŁódźExhaustively researched, Marek Hendrykowski’s study devoted to young Polish director Michał Tarkowski includes in-depth analysis and new readings of his student films (documentaries and features) made in the late 1970s in Lodz Film ...
Hendrykowski, Marek
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Wielka wiara, wielka miłość… Sacrum w kinie na przykładzie Matki Joanny od Aniołów Jerzego Kawalerowicza (1960) [PDF]
, 2018 The theme of the text is the film Mother Joan of the Angels by Jerzy Kawalerowicz (1960) based on the novel by Jarosław Iwaszkiewicz (ed. Warsaw, 1943).
Grodź, Iwona
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, 2016 Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking into account its various forms. The author combines the perspective of a contemporary synchronous with the diachronic perspective, dating back to the ...
HENDRYKOWSKI, MAREK
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Gender performativity in Natasha Merkulova’s and Aleksey Chupov’s film The Man Who Surprised Everyone [PDF]
, 2023 The article analyses Natasha Merkulova and Aleksey Chupov’s The Man Who Surprised Everyone (2018) in light of the theoretical assumptions of Judith Butler on gender performativity and – in broader terms – performativity itself.
Wąsala, Piotr
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Cień transcendencji. Dreyer – Bergman – Tarkowski
Kwartalnik Filmowy, 2016 Tekst jest rozdziałem z książki zmarłego w 2010 r. brytyjskiego badacza filmu Johna Orra pt. The Demons of Modernity. Ingmar Bergman and European Cinema, która jest interesującym przykładem zastosowania metody komparatystycznej w filmoznawstwie i ...
John Orr
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Postapokalipsa, baśń i groza w "Pikniku na skraju drogi" braci Strugackich [PDF]
, 2016 The article is devoted to Roadside Picnic by Arkady and Boris Strugatsky – a post-apocalyptic vision of the world after an extraterrestrial event called Visitation.
Wieliczko-Paluch, Karolina
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Laboratorium analizy filmu Z prof. Sewerynem Kuśmierczykiem rozmawia Robert Birkholc [PDF]
, 2018 Interview with professor Seweryn Kuśmierczyk on his research and didactic work, especially on the morphological-anthropological method of film analysis that he invented and elaborated as an academic ...
Birkholc, Robert, Kuśmierczyk, Seweryn
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