Results 21 to 30 of about 150,794 (74)

From the theatre of cruetty to Grand Guignol. Death in the cinema of Andrzej Żuławski [PDF]

open access: yes, 2005
This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until his late work Szamanka (The Shaman Woman) (1996), this ...
Nowakowski, Jacek
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Przestrzeń surrealistyczna w filmie „Na srebrnym globie” Andrzeja Żuławskiego

open access: yesStudia Filmoznawcze
Andrzej Żuławski’s film On the Silver Globe, based on the so-called “lunar trilogy” by his granduncle Jerzy Żuławski, was shot from 1976 to 1977 but wasn’t released until 1988.
Piotr Prusinowski
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Poetyka horroru a autorska strategia gatunkowa w „Diable” Andrzeja Żuławskiego

open access: yesStudia Filmoznawcze
This article offers an examination of the film The Devil (dir. Andrzej Żuławski) from a genological perspective, in order to situate the film within the framework of genre cinema.
Jakub Rawski
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Beyond Polish Moral Realism: The Subversive Cinema of Andrzej Żuławski

open access: yes, 2014
An account of the transnational and subversive work of the Polish director Andrzej Zulawski, both within Poland and as an emigre director. The chapter shows how Zulawski's aesthetics explode the limits of Polish 'moral realism' and explore uncharted ...
Goddard, M N, Goddard, Michael
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Mur berliński w „Opętaniu” Andrzeja Żuławskiego — konteksty gotyckiej przestrzeni

open access: yesStudia Filmoznawcze
The article examines the presence of the Berlin Wall in Andrzej Żuławski’s Possession, tracing the historical specificity and broader symbolic implications shaping its function as a German–German border, and situates this discussion within the framework ...
Marta Brzezińska-Pająk
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„Narwana miłość” Andrzeja Żuławskiego jako adaptacja powieści „Idiota” w kontekście światopoglądu religijnego Fiodora Dostojewskiego i symboliki „kobiecości”

open access: yesStudia Filmoznawcze
The author analyzes Andrzej Żuławski’s film L’amour braqué (1985) as an adaptation of Fyodor Dostoyevsky’s novel The Idiot. He explains why Żuławski transferred the plot and characters of the novel to contemporary times, to France in the 1980s, and ...
Marcin Maron
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Konwencje awangardowe we wczesnym kinie Andrzeja Żuławskiego. Studium interpretacyjne „Pieśni triumfującej miłości” (1967)

open access: yesStudia Filmoznawcze
The Story of Triumphant Love (1967) represents one of Andrzej Żuławski’s earliest directorial efforts. This short film adaptation of Ivan Turgenev’s story of the same title, not subjected to proper scientific reflection, is analyzed in the text using the
Przemysław Murawski
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Jerzy Żuławski and his undertakings performed in Lodz in October 1914 [PDF]

open access: yes, 2015
Jerzy Żuławski, who had been engaged in spreading the ideas of the legionaries, visited Lodz together with the representatives of the PNO Commiserate on 18th October 1914.
Stawiszyńska, Aneta   +1 more
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Blu-ray: Audio Commentary for Andrzej Zulawski's 'Possession' (1981)

open access: yes
Director: Andrzej Żuławski Starring: Isabelle Adjani, Sam Neill, Heinz BennentA woman starts exhibiting increasingly disturbing behaviour after asking her husband for a divorce.
Heller-Nicholas, Alexandra   +1 more
core   +2 more sources

Brzozowski and Żuławski – Two Poetic Perspectives on the Book Of Job [PDF]

open access: yes, 2013
This paper discusses parallel fragments of the two poetic paraphrases of the biblical Book of Job by Karol Brzozowski and Jerzy Żuławski. The analysis leads to the conclusion that the main idea of Job’s argument is handled in a very loyal and faithful ...
Nowak, Małgorzata
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