Results 41 to 50 of about 296 (175)
The deixis of literature: On the conditions for recognizing computers as authors
Orbis Litterarum, Volume 79, Issue 4, Page 309-322, August 2024.Abstract Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts.
Hannes Bajohr
wiley +1 more source
Psychology &Marketing, Volume 41, Issue 4, Page 916-937, April 2024.Abstract In three studies, we examine the effect of music album artwork on album market performance and music consumption. Based on the perceptual preference for visual stimuli with cardinal (orthogonal) over oblique (tilted) line/edge orientations (a phenomenon known as the “oblique effect”), albums with a predominance of cardinal line/edge ...
Yannick Joye, Bob M. Fennis
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Andy Warhol e o cinema como máquina da verdade.
ARSRESUMO Em 1963, no momento em que vivia o auge de sua carreira como artista pop, Andy Warhol passou a realizar também filmes, produzindo-os em ritmo constante até 1968.
Calac Nogueira
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Authenticity and atypicality in leadership: Can an atypical leader afford to be authentic?
International Journal of Management Reviews, Volume 26, Issue 2, Page 312-328, April 2024.Abstract Leaders from typically privileged backgrounds, such as White, male, elite‐educated and upper‐class individuals, often find it easier to craft an authentic identity in professional settings than their atypical counterparts. These atypical leaders, which include women, LGBT+, ethnic minorities or those from less affluent socio‐economic ...
Ozlem Ayaz +3 more
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Revista Espaço Acadêmico, 2011 O presente artigo relaciona os trabalhos de Andy Warhol, ícone da chamada Pop Art, com os conceitos de Walter Benjamin, expressos no seu celebre artigo A obra de arte na era da reprodutibilidade técnica. Assim, busca-se refletir sobre de que forma Warhol
Talitta Tatiane Martins Freitas
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Wide‐Range Angle‐Sensitive Plasmonic Color Printing on Lossy‐Resonator Substrates
Advanced Optical Materials, Volume 12, Issue 4, February 2, 2024.A wide variety of colors and fine‐art designs are achieved through five‐degree multiplexing (RGB color space, angle, and polarization sensitivity) and femtosecond laser modification of an asymmetric lossy resonator. Abstract A sustainable, lithography‐free process is demonstrated for generating non fading plasmonic colors with a prototype device that ...
Sarah N. Chowdhury +10 more
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‘The most exciting thing is not‑doing‑it’, or andy Warhol’s ‘Philosophy of love’ on The Basis of Blow Job and My Hustler [PDF]
The Polish Journal of Aesthetics, 2015 the aim of this article is to identify characteristics of andy Warhol’s ‘philosophy of love’, the elements of which were described in the Philosophy of Andy warhol (From A to B and Back Again), and an analysis in this context of Warhol’s films Blow Job
Joanna Łapińska
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Paul Morrissey. Prawa ręka Warhola
Kwartalnik Filmowy, 2003 Paul Morrissey w kontekście swojej działalności w Fabryce Andy’ego Warhola był postacią szczególnie dwuznaczną. Wychowany w tradycyjnej rodzinie, z przekonania konserwatysta realizował jednak filmy będące na granicy pornografii.
Marcin Giżycki
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World Nutrition, 2015 My hero. Karl Polanyi – and his other fans Joe Stiglitz and Thomas Piketty In praise of black pudding What Andy Warhol and Marshall McLuhan have in common
Geoffrey Cannon
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El método crítico-estilístico como estrategia de análisis del video musical Hello again (The Cars)
Contratexto, 2012 Este artículo presenta brevemente el modelo metodológico críticoestilístico para el análisis del video musical, basándose para ello en el ejemplo práctico del video musical Hello again, de The Cars, producido por Andy Warhol en 1984.
José Ignacio Aguaded-Gómez +1 more
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